A Quote by Brian Helgeland
I know a lot of directors have a whole staff of people trying to find their next film for them. I always just end up writing mine.
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I would love to see more women directors because they represent half of the population - and gave birth to the whole world. Without them writing and being directors, the rest of us are not going to know the whole story.
I'm just trying to choose interesting, quirky projects or things with interesting directors or just movies that have a lot of people I like attached to them so I know I'm going to have a good time.
I'm very attracted to directors who want to experiment. The thing that attracts me the most are people who are trying find a language that is correct for their film, for that specific film.
The whole point of diaries is that other people find them and read what you've put. I did once take to writing my inner thoughts on the computer at the end of other things I was writing and ended up faxing four pages of hideous stuff to my accountant so I don't do that now.
If I'd find a dog, I'd try to find the owner, of course, but it was mine! I just can't live without them; I love them so much. I have cats, too. People call me all the time and say, 'We know of a couple of cats people don't care for,' and I say, 'Bring them!' That's it - two words. I'm always open for that.
Coming up, a lot of people I looked up to had a signature sound, but I came up, and I was always in search of one, trying to find it, trying to create one. I was never really able to have a creative signature sound, you know?
L.A. can be pretty insane because there's so much show business here, but I also know a lot of kids who grew up in Manhattan who are some of the most normal, nicest people I know. Casting directors always say Chicago people are just nicer.
You know, even in the economic downturn in Alberta, there are restaurants in Calgary, and even in Canmore up the mountain, that cannot open for lunch because they cannot find staff. And they cannot find staff because there's nowhere for those people to live. And so safe and decent housing, market housing, subsidized housing, the whole bit, we really, really need to have our heads on straight on this, and we don't yet.
The most common thing I find is very brilliant, acute, young people who want to become writers but they are not writing. You know, they really badly want to write a book but they are not writing it. The only advice I can give them is to just write it, get to the end of it. And, you know, if it's not good enough, write another one.
I've always been such a fan of short films - in fact, I never considered that I would actually make a feature. I just thought I wanted to make shorts for the rest of my life. They are a lot harder to have shown and a lot harder to find and see as an audience, but I don't know. It's just a form that I really love. I was just making them for the process, but ultimately, I did get them into festivals, and they did end up on television, and they had as much of a life as short films can.
You can't just hope things away. All of us have to care, to really focus on our cities, because that's where most people live, and they're crumbling. And along with them are the futures of a lot of people. So it's a wake-up call, but no one film can do all that; we're just trying to be a part of the conversation.
I would say it was the directors. We have to give credit to the directors for this, because in the script, we just said, "Gru's Minions do this or do that" in the initial draft. And then, they came up with the characters' design and the philosophical concept of the Minions. And then, we started writing to that. We have to give a lot of credit to them.
Directing seems like a logical progression for me, although I would never put myself in a film of mine. How can you? Putting on make-up while you're trying to concentrate on setting up the next shot? No, no.
I didn't feel that so much as an outsider when I started writing; I've felt that way all my life. I don't know, man; I guess I was just wired wrong. When I was growing up, I always wanted to be somebody else and live somewhere else. I've always felt a little uncomfortable around people. And I'm not trying to romanticize this, because it wasn't romantic. I wasn't trying to be a rebel; I just always felt a little out of it. I think that's why it's pretty easy for me to identify with people living on the margins.
I think a lot of the writing, you know, I write is just kind of like that where, you know. I write exactly how I'm feeling sometimes, and hardships that I'm going through. But I always end up, like the choruses are like, "God, You are good. God, you're faithful. You know, I know You understand, You're right here by my side." All these different things. And I just say very personal experiences that I've been through. I mean, it's not always detrimental thing.
I went to film school so I have a writing and directing background, and I think a lot of the material I'm interested in writing and getting out there is stories about anti-heroes and people you should just not ordinarily root for - trying to figure out a way of appealing to people they wouldn't normally appeal to.
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