A Quote by Brian Henson

We try to keep it a classy show, but it certainly is blue at times. And it all depends on the audience, sometimes we've have audiences that don't really want us to go too far in that direction.
I don't get too upset or bent out of shape from things that go on on the field. But I think that you always want to try to keep it classy. You don't want to do any stupid fouls, and sometimes - sometimes the game gets to you; people react differently.
I learned with 'The Disaster Artist,' when I was writing the book, the audience will follow you if you really try to do something different. The biggest thing is, you want to be genuine and try to surprise your audience with kind of a new direction.
We try to keep our audience involved. It is a show, but we want to make sure that everybody - us, them - has a good time.
The only difficulty is that I'm playing to two audiences, and it's too bad the noise detracts from the show, because it's a great show. I've seen my own self out there, and it's a very good musical show. Sometimes the show gets lost in the hysteria and sometimes it doesn't.
We're all in the same room, so I want people to be involved with one another, but again you can't decide exactly to what extent that operates. It varies all the time and it depends on the show, it depends on the audience, it depends on everything.
You just have to be classy at the end of the day. That doesn't mean you can't go with a midnight blue tux. And if you can find a deep red tux that looks classy and classic, I think you can pull it off.
I remember the Time review [on the Hit and Run]said that there wasn't one laugh in it. And I had watched the movie 50 times with audiences, and it always played great. There was certainly a moment where you could tell the audience was like, "Wow, this is really getting weird."
In the '50s, audiences accepted a level of artifice that the audiences in 1966 would chuckle at. And the audiences of 1978 would chuckle at what the audience of 1966 said was okay, too. The trick is to try to be way ahead of that curve, so they're not chuckling at your movies 20 years down the line.
Honestly, I try to forget Fashion Week once it's over. I just want to go home and rest and just forget I even did it. It could drive you crazy! It's just show after show after show, and you're missing your family and they feel really far away. You don't go to sleep. You work for a month.
I really like to think of each record as its own thing. So, for sure, but I hate the idea of being stuck in anything. Like I want to do a Hawkwind-style record too, or a noise rock record or a hardcore record. Why not, you know? I would just not want to keep heading too far in one direction, without pulling off and going the other way.
The Broadway audiences are very vocal and seem very engaged. For certain shows, especially with a show like 'The Heiress,' the audience's reactions sound like 'The Jerry Springer Show' sometimes. That seems to be a very New York thing. Oh, there's also the entrance round of applause here, which we don't get too much in London.
Sometimes, big budget movies with big stars also flop, and sometimes small films manage to win the heart of audiences. Ultimately, it is the viewer who is the king and it depends on the liking of the audiences.
If I feel like I'm going too far in one direction, I just can it. It's a weird thing. Some of my songs might be cheesy; I try and keep it light. It's hard to explain.
I didn't want to talk, and I didn't think dogs could solve my problems. But they were so uncritical and un-judgmental. Sometimes when you're really blue, you don't want to talk, but you want that sense of companionship. I certainly enjoy that with my beasts.
I can be. I do not normally try to be. In fact, there have been some reviews - which I've loved - that said I didn't try to sell my show on sex, that I sang my show. On the other hand, I know I'm cute. I can dance. I don't have a bad figure. I know exactly what I am. I'm certainly no great beauty. I know exactly how far I can go.
I really like to think of each record as its own thing. So, for sure, but I hate the idea of being stuck in anything. Like I want to do a Hawkwind-style record too, or a noise rock record or a hardcore record. Why not, you know? I would just not want to keep heading too far in one direction, without pulling off and going the other way. That is what is fun for me.
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