A Quote by Brian Henson

First of all, you're improvising through a puppet, so you're not always yourself: you're a cow or you're a pig or you're an old woman, you know, whatever puppet you pick, or you're a demon, you know, whatever you pick up, that's what you get to be in the scene.
A puppet that starts to improvise badly is almost funnier than the puppet that's improvising well. So the show gets better when the improvising is really good, but also the show can also sometimes get better when the improvising sort of goes a little wrong and that's sort of a blessing to improvising with puppets.
Puppets allow a person to express things through this surrogate that wouldn't normally get expressed. You know there's famous techniques of puppet therapists. Put this hand puppet on and tell me what the problem is.
Donald Trump is showing the intellectual rigor, and emotional maturity, of a second grader. That's hardly being age-ist. This is a man who, when accused by Hillary Clinton of being a Putin puppet, actually responded: "No puppet! No puppet! YOU'RE the puppet."
One time, it was really funny, I was going on stage... and they were like, 'Oh, we didn't mic the puppet! Mic the puppet!' So, that's how I know that sometimes I do a very good job, because they think that the puppet is actually, like, real.
I've been a puppet, a pauper, a pirate, a poet, a pawn and a king I've been up and down and over and out and I know one thing Each time I find myself flat on my face I pick myself up and get back in the race
Corporations are legal fictions created by the State to shield executives from liability… It’s like if I had a little hand-puppet, and I went to rob a bank, and the hand-puppet held the little gun and told people to hand over all the money, and then the hand-puppet grabbed the money and ran out, and then I got caught and I handed the hand-puppet over the police and then the police tried the hand-puppet, put the hand-puppet in jail, and I get to keep all the money.
I have to pick myself up every day and say, 'The show must go on,' meaning life as I know it must go on, whatever the obstacle is, I know I can handle it, and I can get through it.
There's an awful lot of scenes where we don't know what the scene's going to be about, we ask the audience, pick a place that the scene is happening, pick the relationship, tell us who they are, things like that.
When I was eight, I bought my first puppet. It was a monkey, and I paid five cents for it. I collected some scrap wood and built myself a puppet theatre. I made 32 cents with my first show, which I thought was pretty good, and that's when I knew I would be a puppeteer when I grew up.
Unfortunately for Hillary Clinton she's a competent politician, which means she seldom says anything in less than three paragraphs. So people like the guy who just goes, "Nuh-uh, no puppet, no puppet, you're the puppet."
The puppet on the right shares my beliefs, the puppet on the left is more to my liking. Hey...there's one guy holding up both!
I collect puppet stuff. I have a puppet workshop in my garage. I was looking for any opportunity to be able to get very creatively involved in that world.
We all have to pick our battles. You've got to draw a line in the sand and stand firm. And it's this squishiness that's really the enemy, like, "Well, I don't know, it's kind of OK but I kind of feel guilty, and I kind of want a bran muffin, I don't know, and I'm wearing a vest; it's crocheted." Shut up. Just pick your battle and just stand there, and whatever you are going to do, own it.
I can get whatever I want to eat and when you, you know, you forget to eat you sometimes pick up fast food.
I'm always going to do whatever I think is funniest. If something's dark, I'll do it. If it's a sock puppet, if it's a stool, I'll do it.
Whatever character you play, whatever film it is, whatever story it is, for me, in my training it's always something that gives you a layered character, it's understanding the secret of that character, and so whatever comes up as "Oh, I thought that person was that," you are always carrying that within you. So actually what you're playing all the way through is both and it's just what comes out in the scene or the circumstance.
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