A Quote by Brian Henson
So that's the challenge, you have a big technical aspect of what you're doing whilst you're creatively trying to improvise.
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Being able to just stick to our instincts and honor the [Hunger Games] books and find a way to stay the course of trying to make the best possible decisions that you would make creatively on any movie, without having your head turned too much by all of the interest, has been a great challenge. It's the best challenge you could ask for, but that was a big challenge.
I'm not technical. When I listen to music, I gravitate more toward the sonic aspect of it. The technical stuff of it, I get bored with it. These long solos? OK, already. You know your scales, big deal. I know it, too, but I don't want to do that.
Most people think that I'm so technical that I don't have a feel aspect or a rhythm aspect of it, but that's just the opposite. I need to get into my momentum and my rhythm in regards to being technical and analytical, and also being that artist.
So while you're trying to improvise, you're also trying to puppeteer, you're doing everything that you need to do to perform a puppet in our style, for a camera.
I've been doing stand-up longer than I've been doing anything. It's just learning how to act on camera, trying to get better at that, figuring out how to make my humor translate and bounce off other people. It's not a big challenge, but the main thing is just trying to be on point and be the best I can be on these shows.
I've been training like crazy with my trainer Decker Davis all the time, and we've been doing this new thing called Danger Train. It's kind of storytelling about the offseason training, there's a lot more to come with that. More than anything, from a nutrition aspect to the speed aspect to the strengthening aspect and, most importantly, to the mental aspect, we're always trying to grow exponentially. We're continuing to find new ways to do that.
Finding places to perform was definitely the biggest challenge. Trying to find my voice over the years was a big thing because when I started I was just doing characters and impressions and that was it.
Whilst I've got these opportunities, and whilst I still love doing it, acting is something I can see myself continuing forever until I get bored of it.
The capacity to creatively improvise is an important factor that differentiates successful companies - or teams - from those that are not successful.
Writing a new play shouldn't be seen as a mystery belonging to a priesthood, but as a challenge, a technical challenge, just to get into it.
Nobody thinks about technical issues anymore because cameras or camera phones take care of that automatically. On the other hand, you still have the option of controlling every technical aspect. It's the most accessible, democratic medium available in the world.
This goes back to the main challenge we are facing, because Europe at the moment is not competitive. We have many imbalances and my big worry is that we will slow down in Europe in terms of fiscal consolidations and reforms, whilst we have to step up.
Every scene is a challenge. There are technical challenges, but often it's the simplest challenge where you feel a sense of achievement when you pull it off.
My first event was in Nottingham, aged 11, and the prize was a bike. I thought, 'Wow.' I had no idea what to wear. I think I did it in swimming trunks, then just put on a T-shirt and shoes for the bike part. Triathlons felt exotic. There was a technical and tactical aspect to it as well as the endurance challenge. I was hooked.
There are certain things in the scripts that need to be planned: you know, big stunt sequences, battle sequences... you can't improvise that stuff. You can improvise when there's just two of you standing in a kitchen and the most dramatic thing that's going to happen is someone's going to open the fridge.
The party and the Krikkit warship looked, in their writhings, a little like two ducks, one of which is trying to make a third duck inside the second duck, whilst the second duck is trying very hard to explain that it doesn't feel ready for a third duck right now, is uncertain that it would want any putative third duck anyway, and certainly not whilst it, the second duck, was busy flying.
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