A Quote by Brian Herbert

My dad was an adventurer, my mother a romantic. When they met in college, both were creative writers; the writing was a bond. — © Brian Herbert
My dad was an adventurer, my mother a romantic. When they met in college, both were creative writers; the writing was a bond.
My parents met in the theatre, and I thought that was so romantic. My dad was a scenic designer and my mom was a dancer, and that's how they met; they met in the theatre.
Both my parents are creative. My dad did act when he was younger, but they're both very creative.
Since my mother passed away, my father and I forged a bond that is so tighter than one could possibly imagine. Keep in mind, I am an only child, so I was always fiercely close with both my parents. The tragedy my father and I endured when my mother passed created a bond between us that no amount of force can break.
When I was a child, writing was the worst possible choice of a career in my family. My father had always identified himself as a writer to my mother when they met. When they met, he was writing this great novel, there was no doubt about it.
My parents are from the South - they were both born in Birmingham - so my dad saw R.E.M. really early on when they were playing college stuff in Athens. He had a bunch of their cassettes from the '80s, and when I was 8, 9, or 10, those were the sort of things that were around the cassette player in the living room.
Some American writers who have known each other for years have never met in the daytime or when both were sober.
My parents were divorced when I was three, and both my father and mother moved back into the homes of their parents. I spent the school year with my mother, and the summers with my dad.
We had a bond creatively that came out of 'Lady Marmalade.' It was our link. And people don't know this, but P!nk and I actually met when we were both 16 years old in Philadelphia. I was recording my first album, and we were working with the same producers, so I originally knew her as Alecia.
I don't really believe in a creative-writing major as an undergraduate. It's a bad idea, terrible. I've met creative-writing majors from other places and they don't know a goddamn thing. They're the worst students. They just think they're good because they could pass.
I have a complex heritage: my mom is African American, and my dad is Jewish. Both were activists, and they met during the movement in the '70s.
Both my parents were big readers. My dad liked more macho adventure books like Shogun or spy novels. My mother reads murder mysteries. In fact, so does her mother, my grandma.
For a while the creative writing community sort of sprung out of places like Iowa and Syracuse. The graduates sort of went out, and they would found creative writing departments in the little colleges where they went, and then some of those would found other ones. I mean every college has got a creative writing department, so where are the jobs coming from? There are not any jobs out there.
Wine writers have been around for almost as long as there has been wine, but in the past, generally speaking, most wine writing was uncritical and emphasized wine as a romantic, historic beverage. Criticism and comparative tastings were eschewed for fear of offending the trade, which most writers depended upon for survival.
Mum and Dad met campaigning on the Spanish civil war. Both were active peace campaigners. They died in 1986 and '87.
None of my English teachers in college were praising me or telling me I was anything special. But then in creative writing classes they were. And I enjoyed those more anyway.
My brother and I were both teenage writers, and he was, I have to say, better than I was, but he went into science, and I went into writing.
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