A Quote by Brian J. Smith
People aren't making as many movies as they used to, so youve got a lot of really big-name actors who are coming in, and they want to do pilots, so things kind of disappear for those of us who kind of have to still get in the room and audition and read for it.
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I didn't do a lot of drama and decided to do comedy, so I never used to get those terrorist audition and stuff. But I do know a lot of people who in the beginning got that kind of stuff.
Back 20 years ago, there was a division between movie actors and TV actors. That's kind of gone away. People who have had a lot of success in movies in the past now want to be on TV. There used to be much more of a quality division between TV and movies, and that's kind of not the case anymore.
See, the first thing about actors is, you're just trying to get a job; and you audition and audition and you finally get them. And you still consider yourself an auditioning actor. I auditioned for One Fine Day, I wasn't offered that. So you're still in that 'Hey, I'm just trying to get a job' thing. Then, you get to the point where, if you decide to do it, then they'll make the film. That's a different kind of responsibility, and it usually takes a couple of films to catch up. And then you have to actually pay attention to the kind of films that you're making.
That kind of woman who used to be there at the time is not here any longer. In 10 years, people disappear. But I fantasize still about those kinds of women, and that kind of life that doesn't really exist any longer.
I want people to see my movies. My talent, my sensibilities are what people want to see in the movies... While I have the talent to make the kind of movies people want to see I want to continue to do that, keep making big pictures and make what I love. I’m really just making the films I want to see. There’s not a strategy.
I don't want to say I took myself too seriously, but I put a lot of pressure on myself coming out of school. I saw so many people leave the business behind, certain opportunities disappear for folks who had to go into other professions. That kind of terrified me. As a result, I wanted things to happen really quickly.
I think that there's room to grow, as far as being a person of color in film. I went to the theater the other day, and there's a whole bunch of Valentine's Day movies coming out. And the only ones that you see a lot of us in are us goofing off and clowning around; it's this kind of pseudo-romantic comedy kind of thing.
We love making movies. We got into the business to make movies. At the end of the day, whether you're doing a low budget film or a big budget film, you want it to do well and you want people to see it. That's the whole point. You want to put some kind of message in it.
Usually, those people don't even like actors and they can't wait until they get in the cutting room. They kind of break down in categories: directors who like to be surprised and some of them abhor being surprised. As far as directing, we all direct when we're acting in movies... every single one of us.
I think that actors are terrible communicators as people by and large. I think our tendency is to kind of be self-centered and tune people out and just kind of get really me-focused, so I think communication for actors is a big challenge actually.
It's a really common trap to want your life to live up to some standard that you believe in, and then you start to really examine those standards and realize they come not from experiences you've had, but things you've seen in movies, or feelings you've felt listening to pop songs, or ideas you've received from reading books. And not just happy things, but a lot of the time, sad things. It gets kind of depressing, when you see how movies and songs make these promises to us.
Not every actor is a Tom Cruise. They are not all used to doing big action movies and doing sliding bikes and cars and fights. So you've got to take actors who have maybe not done that kind of stuff and get them through some proper training first.
At the end of the day, making 'Monster' was unbelievably hard, as making any movie is. And the only thing that made it worth it is not those awards and all those kind of things that I can barely remember because I was so overwhelmed. It was really that night in the editing room, that day on set. It was those things.
I've been a lot of places, and my wife, Denise, she likes a lot of the fancy restaurants. I'm more of a basic eater. I still go into Cracker Barrel. Those are the kind of people who like the kind of music I'm making.
My inspiration for writing is all the wonderful books that I read as a child and that I still read. I think that for those of us who write, when we find a wonderful book written by someone else, we don't really get jealous, we get inspired, and that's kind of the mark of what a good writer is.
I think, like a lot of actors and people in the arts who are struggling to get where they want to be, you spend a lot of time sitting around grumbling about how you're not doing the kind of work you really want to do. But there's a lot of complacency in that, too.
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