A Quote by Brian J. Smith

You get so close, a lot of close calls, and then it just doesn't happen. That's just the way the industry is. It's very difficult. — © Brian J. Smith
You get so close, a lot of close calls, and then it just doesn't happen. That's just the way the industry is. It's very difficult.
I just close my eyes and act like I'm a 3-year-old. I try to get as close to a childlike level as possible because we were all artists back then. So you just close your eyes and think back to when you were as young as you can remember and had the least barriers to your creativity.
No one does. No one really knows how to be happy. You just get close, sometimes. That’s all I want – just to be close.
When I was in high school, my thing was to get as close as humanly possible to a girl and just make her have to kiss me! You do the hug that's too close, where your mouth is close to hers and you kinda feel it out a little bit.
If you zoom close-if you get really close to someone, if you really get close to yourself-then you lose the other person, you lose yourself entirely. You get so close you can't see anything anymore.
In any war story, but especially a true one, it's difficult to separate what happened from what seemed to happen. What seems to happen becomes its own happening and has to be told that way. The angles of vision are skewed. When a booby trap explodes, you close your eyes and duck and float outside yourself. .. The pictures get jumbled, you tend to miss a lot. And then afterward, when you go to tell about it, there is always that surreal seemingness, which makes the story seem untrue, but which in fact represents the hard and exact truth as it seemed.
I'm very curious about people, and one of the most difficult truths for me to accept as a person is that I'll never be anyone else, and I will never fully understand anyone's perspective other than my own. Because I've come to some understanding of that, I feel it's this very difficult but worthwhile challenge to get as close as I possible can to that. If the only way that we can do that is through language, then that's how it has to be done.
I think that storytelling and creation are very close to what the center of what magic is about. I think not just for me, but for most of the cultures that have had a concept of magic, then the manipulation of language, and words, and thus of stories and fictions, has been very close to the center of it all.
If you push in every time there's a big moment, then the tenth time you push in, you're not going to get the same effect. Or if you have too many close ups, then when you have a big moment and you want a close-up in order to make a point, it doesn't mean anything because you've already been doing close-ups. It's like writing in all capitals. Then after a while that doesn't mean anything. So, just because you can do something with a camera doesn't mean you should.
This may sound like heresy, but it is the greatest truth! It is more difficult to let God love us, than to love Him! The best way to love Him in return is to open our hearts and let Him love us. Let Him draw close to us and feel Him close to us. This is really very difficult: letting ourselves be loved by Him. And that is perhaps what we need to ask today in the Mass: 'Lord, I want to love You, but teach me the difficult science, the difficult habit of letting myself be loved by You, to feel You close and feel Your tenderness ! May the Lord give us this grace.
I was definitely incredibly close to my dad, in a way that was all-encompassing. I am close to my mum, too, but there were areas that she and I did not share. So his loss to me was huge, personally and professionally. He believed in me, not just as a father, but as a director, and that always meant a lot.
I have a profound admiration for Fellini. I met him lately and he's just fantastic. I feel very close to him even though he's very Italian. But his films could have been made in every country. When I say, I feel close to him, then also because we're both born on January 20th.
Just don't do things that depress you. I realized if it depresses me, then I just don't want to get close to it. If it brings me down, I just really can't get into it.
I don't mind close-ups, I like them, but they're kind of forceful - you see a lot, you get a lot of information in a close-up. There's less mystery.
I go straight in very close to people and I do that because it's the only way you can get the picture. You go right up to them. Even now, I don't find it easy. I don't announce it. I pretend to be focusing elsewhere. If you take someone's photograph it is very difficult not to look at them just after. But it's the one thing that gives the game away. I don't try and hide what I'm doing - that would be folly.
We had a lot of close games; we were losing games. Failing in those opportunities - when the game was close? And we needed a bucket or a stop? I wasn't able to come through. It's just... something that you get comfortable with as time goes on. You're OK with failing, as long as you're trying as hard as you can.
The best way to lose weight is to close your mouth - something very difficult for a politician. Or watch your food - just watch it, don't eat it.
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