A Quote by Brian K. Vaughan
I'm really happiest living life 22 pages at a time and putting things in little boxes on pages.
Related Quotes
I'm so used to artists saying to me, "Listen, I'm going to have five pages done next week," and then three weeks later I'm phoning them, begging them for two pages. And Stuart [Immonen]is a guy who will promise you five pages and deliver six pages, and the six pages are even better than you could have ever imagined.
What was a slap for ten pages of escapism, ten pages far from everything that made him unhappy, ten pages of real life instead of the monotony that other people called the real world?
The Web as we've known it for a long time has been pages linking and pointing to other pages.
I measure my life in pages. If I have pages at dawn, it's been a good night.
I spill it out as fast as I can. I don't really edit. In Brazil, recently, I wrote 70 pages. In London, 80 pages.
I spill it out as fast as I can. I don’t really edit. In Brazil, recently, I wrote 70 pages. In London, 80 pages.
During my last year of college I wrote the same ten pages over and over again. Those ten pages became the first few pages of my first novel. I can still recite the opening paragraph from memory - only now I cringe when I do it because they are - surprise! - a classic example of overwriting, in addition to being a more than a little pretentious.
I think poems belong as much in the news pages as the literary pages. A lot of people throw aside the literary pages! Whereas everybody looks at the news section.
At first, all is black and white. Black on white. That's where I'm walking, through pages. These pages. Sometimes it gets so that I have one foot in the pages and the words, and the other in what they speak of.
Ever since I was a child, I've kept boxes and drawers and pages of things that I liked. I suppose that it constitutes a journal of sorts, but it's not in a ledger or a notebook.
I think a book that is over 400 pages should be split in two. I don't know that there's anything that interesting that can go on for 700 pages. I think that is a little bit indulgent.
I give myself the luxury of time in shaping a song. It's very common for me to work three months or more on a single song. Plotting takes time and effort, for there are many false turns. I fill up pages and pages with my mistakes, thereby eliminating them. Eventually a trail is broken through this mountain of mistakes. Sometimes it's as easy as putting eggs in a basket; other times it's like trying to pound a ton of sand into a diamond.
Bad things can happen, and often do--but they only take up a few pages of your story; and anyone can survive a few pages.
The actual time you're acting is miniscule compared to the time you're getting ready to do the work. The big difference on series television is, there's not a lot of hanging-out time. You're pumping those pages out, you're doing six, seven, eight pages a day. And I like that pace.
I feel like, for me, reading Thomas Merton is like “Wait a minute, this is a rabbit hole. This isn’t a gateway or a ticket to anything except itself”. When you're a ways into it, you're five pages in, 20 pages in, 30 pages in, it seems like one of the more oxymoronic undertakings you could attempt.
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