A Quote by Brian K. Vaughan
We've all seen lots of stories about a young protagonist having adventures, and usually they're all boys, [and] there is sometimes a token female, or two.
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I think boys don't always like to read books with female protagonist - I don't even know what to say about this.
It's true that adventures are good for people even when they are very young. Adventures can get in a person's blood even if he doesn't remember having them.
For about two years, I was a little wild. I was out partying, having adventures.
There are two books that impressed me when I was very young. One was 'The Adventures of Augie March' - the idea of having something so generous, and so adventurous and improvisatory. The other was 'The U.S.A. Trilogy,' by John Dos Passos.
Race is the true protagonist of the American novel. Our most popular classic fictions have known this, from 'Moby Dick' to 'Beloved;' all these books take on race or talk it out, often in other forms; they are less 'horror stories for boys' than ghost stories from a haunted conscience.
I'm working on this reality show, with me and my son. It's gonna be like, about young fatherhood where, well, not too young, but in the same token as being my first child and he's so young and me still being relevant in hip-hop. You know, having to balance my career being a father at the same time.
In a television interview, I said that diversity in our children's books should include the adventures of disabled children, travellers and gipsies, LGBT teens, different cultures, classes, colours, religions. It shouldn't be a token gesture, nor do such stories need to be 'issue-based'.
We need more female directors, we also need men to step up and identify with female characters and stories about women. We don't want to create a ghetto where women have to do movies about women. To assume stories about women need to be told by a woman isn't necessarily true, just as stories about men don't need a male director.
If I have a male protagonist, it's a studio movie, and if it's a female protagonist, it's an indie movie. That's just how it is. It's not about the studios. It's about America and who goes to see movies. Women are interested in men and women, and men aren't interested in the woman's story. They just aren't.
There were lots of little boys having their bar mitzvahs all over the world, and they sent me tapes of some of them that they interviewed, probably six or seven little boys, and there was something about Mendel. I just loved his little face. I loved the energy of Mendel.
A lot of people go off and have fun adventures, or hard adventures, and their impulse is to write about them right away. What really makes a difference is having some perspective on what happened.
By coincidence and not design, 'Everstar' is written and drawn by an all-female creative team, and it makes me smile to think that there may be young female readers out there, future writers and artists, who get to see that comics doesn't have to be a 'boys' club.'
I know how young black men are seen. They're boys - scared little boys, oftentimes. I was one of them. I was completely afraid of the Los Angeles Police Department.
A token is not a short term carrot, nor a stick for that matter. Just having a token doesn't mean that you have a working business model attached with it.
I'd like to see more female heads of studios because what's also being crucially lost is the female perspective: 50% of the population are not having their stories told.
The fact that there's a more open discussion about everything from feminism to racism?...?I look at my two boys?...?this is their future I'm talking about. When I'll be long gone, it'll be them and their kids. I know that sometimes the darkest times are followed by the lightest. Sometimes bad things have to happen for good things to happen. At the very worst, we're having very open discussions, discussions about things we didn't even know f-king existed. I talk to my friends about it and they are absolutely shocked. They didn't even know.
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