A Quote by Brian K. Vaughan

There's a lot of dark stuff from the '80s that we don't think about. — © Brian K. Vaughan
There's a lot of dark stuff from the '80s that we don't think about.
My mom loves the '80s. I grew up hearing a lot about the '80s.
I think you just learn a lot of stuff in general about all the stuff he [Edward Snowden] released. I think there's probably a lot that we don't know. That's what is really interesting.
Jazz stopped being creative in the early '80s. After your acoustic era, where you had the likes of the Miles Davis Quintet, when it gets to the '70s it started being jazz fusion where you had more electronic stuff happening, then in the '80s they started trying to bring back the acoustic stuff, like Branford Marsalis and the Wynton Marsalis & Eric Clapton sextet. It started dying down from there. Miles was still around in the '80s and he was still being creative; he was playing Michael Jackson songs and changing sounds, but a lot of people were still trying to regurgitate the old stuff.
I guess the cool thing about the '80s is the kind of like adventure in terms of, you know, people were very willing to use sounds that were completely ridiculous or whatever. There was a lot of stuff happening in the '80s and it's all over the place. I guess that's probably the coolest thing for me and that's what I like about it. Just kind of that like, 'Oh, what's this sound? Oh that's wacky. Let's use it anyways.'
There's a lot of dark horror, and a lot of sci-fi fantasy that's great, but what gets hyped a lot the big stuff. The most expensive stuff gets hyped a lot, and I love it, don't get me wrong, but there's things that fall through the cracks.
I use the music to vent, and a lot of the stuff that I am writing about or was writing about contained a lot of anger and anxiety, stress and depression, so that's how the album came out so dark.
Teenagers are very dark, I think. That's all the goth and emo stuff. They're experiencing a lot of stuff that adults experience, but in a much more raw way. It's that extremity that I'm interested in, to be able to go down so far and come up so quickly.
I love like the 80s look - 80s and early 90s, like the high-waisted jeans and the crop tops, and the floral prints, and flowers and stuff like that. Big baggy jumpers... yeah, stuff like that.
I feel like a lot of comedians do have that deep, dark thing. I have my stuff, but I don't go to that dark place.
I think the '80s created me, in a way, when I look back on that time, but I don't necessarily think that a lot of my choices, and a lot of things that I did, and a lot of things that happened to me - or I let happen to me - were about that decade.
One of my favorite eras is the '80s. I'm an '80s baby to the world, love everything about the '80s.
I feel like a lot of comedians do have that deep, dark thing. I have my stuff, but I don't go to that dark place. Things are just way too good.
I probably have over a hundred pairs of high-heel shoes. I collect them. Over however-many years, from, like, the mid-'80s on - yes, I'm that old - I've been in drag several times in my life, and I collect a lot of stuff, and I do have a lot of high-heel shoes that I'm sure a lot of people would be jealous about.
I wanted to capture time through how food and I were getting along at any given moment. That necessitated writing some dark stuff, some sad stuff, and a lot of painful memories, because my life has often been dark, sad, and painful. I didn't want to sugarcoat anything.
I go back to the old school days of that Attitude Era stuff. Everybody knows when I speak of the Attitude Era, my favorite stuff is of the mid-'80s, all that NWA stuff, the World Class stuff, the stuff that Bill Watts was doing.
My parents were in high school and college in the '80s, so let's just say I've heard some stuff, man. We listen to a lot of music and watch lots of great films, but the real context they provide from that era is about politics.
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