A Quote by Brian K. Vaughan
I was only ever part of 'Lost' - a very small part of an extremely talented writers' room, where as a writer, it's sort of your job to sublimate your ego and work in the service of the show and the show's voice.
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When you're a writer on a show, your job is to write in the show runner's voice, really.
My solo show, 'A Lot More Me,' is part drag show, part burlesque show, part circus show, and part fashion show.
I'm watching the show and I'm watching the audience watch the show. Because once you leave the rehearsal room, you have space and you can see it. You can watch them watch it. You can't see your work, really, until you're in the theater. You have no perspective. That's not part of my job, to go, "Oh my God, they're so brilliant." I'm not required to swoon.
I don't think that I would go into the writers' room because they work really hard and I feel like I'm already working really hard to shoot my part of the show. Also, I haven't written in a writers' room before, it's kinda intimidating to walk in there.
Working crew made me realise that the actors are a very small part of a very big machine, with each part being vital to make the show work. It so important to remember that it's not about you, it's about the show, and working crew hammered that point home to me.
That's sort of like asking a parent who their favorite child is. It's very hard to determine. Sometimes I'll get feedback from somebody who liked this part of the show. Others like another part of the show.
There is seven-eights of it under water for every part that shows. Anything you know you can eliminate and it only strengthens your iceberg. It is the part that doesn't show. If a writer omits something because he does not know it then there is a hole in the story.
I feel very lucky to be part of this amazing show [Exorcist] with such an amazing cast of actors, with a really talented writer behind it all.
When you get your show - that's what 'King of Queens' was for me. That was my part; that was my show - I was meant to have that part.
I think as a writer, it's important to show the other part of being gay, not only the sex part.
Be a role model not a critic. Don't tell your children, your peers, or your subordinates what to do - show them. And when the lesson is over, keep showing them by demonstrating that your actions are part of your character, not part of their curriculum.
I'm part of this show called "Shots Fired" that is premiering on FOX. It's right after the Super Bowl. It's a pretty incredible show. I'm pretty much the voice of the show, so the voice of the opening credit record and the songs in between is pretty much my voice.
You have to show up when your show fails - or it succeeds. When you are enjoying the glory of success, you have to show up and still work hard because it may not last. You have to do your job with the same sincerity when you started and till you can actually do it with passion.
It's a great stretch for me to do my game show. It's very hard. It's not me at all. The only part that's me is sort of when I'm sitting in the booth looking tormented. That's the only part that's the real me.
My dad tells me that he took us to a pantomime when I was very, very small - panto being a sort of English phenomenon. There's traditionally a part of the show where they'll invite kids up on the stage to interact with the show. I was too young to remember this, but my dad says that I was running up onstage before they even asked us.
I learned that a television show is not a collaboration. You give your 180 percent, but you do not question the show-runners. I remember doing a reading, and my part was kind of small that week, and I commented on it, and the next week, they cut me out of the show. So I learned that you never ask questions. In TV, you always assume you're going to be fired.
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