A Quote by Brian Keene
Don't just rehash what came before. Find new things to do with it, in your unique voice.
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We're so lucky to be living in this day and age when technology - the tools to tell our stories - is so accessible. However, content still reigns supreme. So find your voice, your unique voice, it's there inside of you. Find it, define it, write it down on paper, hone it, and clarify it. Everything else is just technology which will help you tell your story.
We're always being told 'find your voice.' When I was younger, I never really knew what this meant. I used to worry a lot about voice, wondering if I had my own. But now I realize that the only way to find your voice is to use it. It's hardwired, built into you. Talk about the things you love. Your voice will follow.
Finding your voice is something you have to keep working at. Your voice as a comic evolves the same way that you evolve. You have to find out what works for you. How can you express your opinion, your take on the situations in a way that feels natural to you? That's where you find your voice.
I design a lot of things that I wear onstage, but I'm always looking for unique stuff. I like creative things, so anything I can find at a secondhand costume shop to a Helmut Lang store, it doesn't matter - just unique stuff.
The only way to find your voice is to use it. It’s hardwired, built into you. Talk about the things you love. Your voice will follow.
You know how they say, "Find your voice"? That's your voice, in your pajamas. And it doesn't mean that you're going to publish it or print it or people are going to see you in your pajamas. It just means you are going to construct the foundation in your pajamas, in that voice.
You're always trying to do something that, on one hand, honors all those stories, that is still in some way the same character that Stan Lee and Jack Kirby were doing back in the sixties. But, at the same time, you want to be able to tell new stories and not just rehash what's come before.
Do not think your story [for a one-person show] is unique. . . . your story is the same as millions of others. But that's o.k. - you just need to find the one or two things that makes your story interesting enough to justify someone leaving their apartment and exchanging currency.
When I was doing those things with the Berlin circus, playing the accordion, going to North Korea - I felt all those things were just me experimenting and letting myself go. Everything before seems like a constant searching. Now that I think about it, I feel so lucky that happened; that I didn't find my voice straight away, that I didn't find my passion straight away, that it took so long.
I'm always intrigued by new challenges and things that I've never done before and new experiences. It sounds so simple, but the primary interest is just something that's good and instills within me some kind of gut feeling that feels like something that I'm passionate and excited about, and there can be multiple variables that can instill that. It can be simply a filmmaker, it can just be a character, it can just be the script, or a combination of all those things. But, I'm always just looking to do things that I've never done before, primarily.
The important thing is to find what's unique about yourself, find what's unique about someone else. And embrace everything in the moment, as opposed to constantly comparing yourself and your lover and your relationship to a static set of expectations.
Another thing you end up doing when you get older, is you spend so much time sort of trying desperately to keep from just looking just a little older. You're just constantly putting stuff on your face and having things removed from yourself and opening up copies of "Vogue" so that you can find new ways to throw whatever money you've managed to save into the arms of some doctor who has just come up with a new way of lasering your face that feels like electroshock and all these things.
For me, music is in no way ornamental or decorative, it's constitutive of who I am. And that's why, when I say I'm a blues man, that's a very serious vocation - to muster the courage to find your own unique voice, to forge your distinctive style in the world, to leave your imprint in the sands of time in such a way that your singularity, your individuality, remains something that people have to come to terms with.
I just think that when you've been singing for 30 years, which I have been, you just want to find different things you can do with your voice. It's a constant journey. It's not like any one album that you make is who you are. It just reflects that particular day.
I guess the best way to describe that would be to connect with the fact that I came out of college just before the big Depression, and I came to New York.
I struggled to learn basic skills, get a grip on markets, find my own unique voice, create story lines and come up to speed with the industry. I struggled for ten years before having any success.
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