A Quote by Brian Keene

Everything can be grist for the muse. Sometimes, writers draw on personal experiences. 'Ghoul' was just that. — © Brian Keene
Everything can be grist for the muse. Sometimes, writers draw on personal experiences. 'Ghoul' was just that.
Of course, all writers draw upon their personal experiences in describing day-to-day life and human relationships, but I tend to keep my own experiences largely separate from my stories.
It's not like that when you're a songwriter - songwriters aren't like pulp writers or journalists, even. You just follow the muse. It's called muse-ic. Whenever the muse decides to bestow her inspiration on the songwriter, then the song is born.
I worked at Disney many years ago. They just let me sit in a room for a couple of years and draw whatever I wanted to draw, so it's a very personal thing to me. Drawing and everything you do there is something meaningful and personal.
'Ghoul' was what my world looked like, growing up in the late Seventies and early Eighties, and what I thought it looked like. A lot of my personal experiences went into it.
I think when you're writing songs, it's impossible to not draw on personal experiences, whether it be traveling or girls or anything. Just emotions.
Some writers such as John Cheever and Raymond Carver seem to draw artistic energy from analyzing the realm of their own experiences - their social circles and memories and mores. I'm one of those who draw creative energy from the opposite.
Sometimes I just don't have time to wait for the muse to come, so I've developed things to force the muse to come back.
I was Versace's muse, I was Valentino's muse, I was Alaia's muse, Lancetti's muse, Calvin Klein's, Halston's. I could go on and on.
The concept of muse is alien to me. To speak of a muse implies there is a couple in which one person is the objectified passive element - there to help the creative, active, often male part of the duo to create. A muse is very passive. Who wants a muse? I don't want a muse.
I think when you're writing songs, it's impossible to not draw on personal experiences, whether it be traveling or girls, or anything.
I wake up in the morning, or the middle of the night when an idea comes through. My songwriting style, basically I just write down information given to me from the muse and how that works for songwriters. Record the muse and the muse delivers.
Don't wait for the muse. She has a lousy work ethic. Writers just write.
I feel like you have to pull from some personal experiences [to acting]. At least that's how I work sometimes. It's just easier that way. And I try it as best as I can and kind of dissolve myself and become a character, not me, or just blur the lines.
My approach is that we are not searching for experiences here. We are trying to know the one who experiences all experiences. Our search is for the witness. Who is this observer? Who is this consciousness? Sometimes it feels sad, sometimes it feels happy; sometimes it is so high, flying in the sky, and sometimes so down. Who is this watcher of all these games? - high and low, happy, unhappy, in heaven and hell. Who is this watcher? To know this watcher is to know God. And you are already it - just a little awakening is needed... no search but only awakening.
I got letters from people that have had peculiar psychic experiences, experiences with the dead - sometimes fairly tranquil experiences and sometimes very terrifying experiences. I do believe that a lot of them are sincere. I do believe, also, that some of them may be misguided. But, I think the majority of them have experienced something.
There are writers, and there are readers who want something more. They want to get at the grist of life.
This site uses cookies to ensure you get the best experience. More info...
Got it!