A Quote by Brian Littrell

I've known for a very long time that making music for the church has been my calling. — © Brian Littrell
I've known for a very long time that making music for the church has been my calling.
It's a very weird job to have as a musician, because you spend long periods of time alone and then you have to go work with people for a long period of time and present your music after you've been making it by yourself. It's a very drastic phase.
Fathers, yours is an eternal calling from which you are never released. Callings in the Church, as important as they are, by their very nature are only for a period of time, and then an appropriate release takes place. But a father's calling is eternal, and its importance transcends time. It is a calling for both time and eternity.
Music is my passion so I feel like I'll be doing this for a long time and God forbid if anything happens I'll still write music. So, I could write music for other people. I see myself making music for a very long time.
I wouldn't have known when I was a teenager that when I was coming up to being a sixty-year-old woman that I'd be making music, I'd be recording music, talking about music, and incorporating my views on the world into the music-making. So it's a very rarefied place to be, and I'm very grateful for that.
I've been making music for a long time, since I was very young, but at the same time, I'm still exploring what works for me. I feel like I'm just starting out.
I call this my church house trilogy. Souls' Chapel really was music from the Mississippi Delta, which to me is a church within itself. The Delta is the church of American Roots music. The Badlands is a cathedral without a top on it. And the Ryman has been called the Mother Church of Country Music, but to me it's the Mother Church of American Music. If you can think it up, it's been done there. In my mind, this is kind of a spiritual odyssey as much as anything else, and I had the settings of three churches to make it in.
I've been wrestling and making music for a long time.
I've been writing and making my own music for a long time.
I've known Mark Hunt for a long time, and I've known Brock [Lesnar] for a while. I think that it's a very interesting match-up. I think it's good on the UFC for making that match-up.
Ultimately, I'm not the most prolific person, but I've been doing this for a long time, and I keep on putting out music. The only thing that drives music is the people who are making it.
The thing I stress to my fans is that I've been making big, universally friendly-type music for a long time now. I never really made underground music.
I had experiences or exposure to music in church. I went to a church, it was very unique. It was a predominantly African American Catholic church. So they would have - one mass would be traditional church music, and then the other mass would be gospel music.
I've known about hip-hop for a long time. The first time it intrigued me was when I saw this music video by Tyga on television. I was intrigued by the whole aesthetic. It was very unique.
The church we grew up playing at was not one of those churches known for its music, but it was just this all-around energy that would be happening because, at the same time we'd be playing in church, we'd be playing in the city jazz band under Reggie Edwards.
By the time I was a senior in high school, I was constantly with my headphones, just making music all the time. People were calling me a "musician", and I found that so weird.
I'm about making music and spending time with my family. I've been in the spotlight so long that I'm looking for something different.
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