A Quote by Brian Littrell
'I Want It That Way' is a feelgood song. It's happy, easy to sing along with, and everybody knows it.
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Whatever be the depth of woe Along the path that I must go, I'll sing my song— My song of joy for all the love That's lavished on us from above, And count no loss of treasure-trove When things go wrong. I'll sing the sunlight, and the bright Soft smiling stars that gem the night; For gifts of good That God hath spread along my way, The lilt of birds in tuneful play, The harvests full and flowers gay, The whole day long I'll sing my song Of gratitude!
Whenever they sang a certain song in church, I used to sing it the loudest: 'Lead me, guide me, along the way!' One day, as I was singing this song, I felt as if the Lord was saying to me, 'Lead you along what way?' I realized then that if you don't have a plan, God doesn't have anything specific to direct you in.
It's easy to get people to sing along to cover songs, but when it's your song, it's the coolest.
The whole life of a song doesn't end with the way that it sounds on the record. How does this song grow? What works live? What do people like to sing along to?
Whenever I sing 'Total Eclipse of the Heart,' the way people sing along with me still excites me. It's one of the songs that audiences know all the lyrics to, and they sing along with me, and it makes me so happy. People also know my songs 'Holding out for a Hero' and 'Lost in France,' and this gives me so much joy on stage.
We just met for the first time and David Byrne was like, "Hey, you want to sing on this song?" and I was like, "Yes, I do want to sing on that song." He's the most legendary dude but I wasn't thinking about how he was a legend when rehearsing. I was just thinking, "Wow, this guy really knows what he wants in his music." And that ended up being the vibe, like "Oh, you wanna try that?" "Yeah, that sounds great!"
When you're insecure about your technique, you close yourself off. Your shoulders tighten. The first thing, you should open your body and sing. Be happy. Sing real vowels, real Italian vowels. When you're learning a good way to sing technically, you find it's very easy to sing well.
Basically, I didn't want to sing anything for the sake of singing it. There were some songs where I really wailed, but because it's such an intimate space anything I chose to sing simply to make sound was going to come off an inauthentic. So I was really happy with where it landed - every song I sang, I loved for one reason or another. I didn't have to worry about selling a song.
For me, and this may not be everybody, but because I do love country music so much, there's such a feeling of home in Nashville, especially because it's such a small town. You bring up one song, everybody knows who wrote it, everybody knows their mother and what their cell number is, and all of the stories.
Writing a great song is not a simple task, but I feel like when everything comes together and you sing it in a certain way that no-one else can sing it, when it's written in a certain way that's perfect for the way that you're performing it, that those are the things that make a song great.
Everybody knows that the boat is leaking. Everybody knows the captain lied. Everybody got this broken feeling, like their father or their dog just died. Everybody talking to their pockets. Everybody wants a box of chocolates and a long-stem rose. Everybody knows.
If I hear one of my songs by anybody, it's a dream come true every time for me as a songwriter, because I want to write a song, I want to write a song that the world can sing and will always sing.
Well, everybody's a drummer, I'll tell you that right now. Everybody knows what's right rhythmically for a song, so there were always suggestions flying my way.
Here's a little song I wrote
You might want to sing it note for note
Don't worry, be happy
In every life we have some trouble
But when you worry you make it double
Don't worry, be happy
Don't worry, be happy now
I want to write songs people can sing along to. I can think of nothing more exciting than travelling the world and playing to audiences and having them sing your words along with you.
The song that I will sing is an old song, so old that none knows who made it. It has been handed down through generations and was taught to me when I was but a little lad. It is now my own song. It belongs to me. This is a holy song (medicine-song), and great is its power. The song tells how, as I sing, I go through the air to a holy place where Yusun (The Supreme Being) will give me power to do wonderful things. I am surrounded by little clouds, and as I go through the air I change, becoming spirit only.
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