A Quote by Brian May

A Queen track has those big, thick, block harmonies. — © Brian May
A Queen track has those big, thick, block harmonies.
I had this big thing about guitar harmonies. I wanted to be the first to put proper three-part harmonies onto a record. That was an achievement.
I'm strong enough and have a pretty thick skin, but when people go after my kids, I just hit block-delete, block-delete. It's my mantra.
The big, big block in the Arthur/Merlin friendship is the status issue, that Merlin is the servant and Arthur is royalty, and in that time, princes did not socialize with their servants; that wasn't the done thing. It just so happens that their relationship, their friendship, is strong: they have been through the thick and the thin of it all.
We've recorded over our voices once and double the harmonies, make them thick. The Four Freshmen do that.
La solitude re tablit aussi bien les harmonies du corps que celles de l'a" me. Solitude restores the harmonies of the body no less than those of the soul.
I've got a thick skull and big, thick bones that don't break apart easily.
Exploration was for those with a measure of peasant blood, those with big thighs and thick ankles who could take punishment as they took bread and salt, on every inch of flesh and spirit.
The Queen and Electric Light Orchestra harmonies are so distinct and fit in our songs so well sometimes, but we don't know how to do them properly.
Once upon a time there was a piece of wood. It was not an expensive piece of wood. Far from it. Just a common block of firewood, one of those thick, solid logs that are put on the fire in winter to make cold rooms cozy and warm.
Harmonies come really naturally to me. I don't have to labor too hard over them. I'll sing a lead vocal, and then I will immediately have all of these other ideas for vocal harmonies. I think that some of the most fun parts of recording, for me, are the vocal harmonies.
I have an understanding of Queen and the way Freddie Mercury did his harmonies. I know what tablas sound like, because my father played a lot of Ustad Ali Akbar Khan.
The track 'Open Eye Signal,' when you hear that choir sound come in, that's actually me singing but sped up and with huge reverb and overlayered harmonies.
On 'Dawson's Creek,' those kids were supposed to be outsider kids - you know, wrong-side-of-the-track kids, weirdo kids. And I just felt like there's no universe out there where Katie Holmes isn't the prom queen, hottest girl in school.
It was one of those mornings when a man could face the day only after warming himself with a mug of thick coffee beaded with steam, a good thick crust of bread, and a bowl of bean soup.
I remember when I was a kid and I used to go and see Queen play live. It was like there was Queen the album band, and then Queen the four dudes on stage playing the songs on stage, and it never lacked anything to me when it was just the four dudes playing the big songs.
Those who are experts in the fields of surveillance, privacy, and technology say that there need to be two tracks: a policy track and a technology track. The technology track is encryption. It works and if you want privacy, then you should use it.
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