A Quote by Brian May

I'm into paradoxes. I wanted to make an album about them, but the group told me I was a pretentious fart. They were right. — © Brian May
I'm into paradoxes. I wanted to make an album about them, but the group told me I was a pretentious fart. They were right.
I always wanted to make an album, but I knew that I didn't want it to be a musical theater album. It's not that I don't love them - I own every musical theater album ever made - but it just didn't seem right for me.
I suppose we'll make money off our album and our singles and stuff, but, like, they were made as we wanted them, exactly with what we had to say, and done exactly how we wanted them, right? And, like, we didn't put them out to make money. We put them out because we wanted to do them, do you know what I mean?
Let every fart count as a peal of thunder for liberty. Let every fart remind the nation of how much it has let pass out of its control. It is a small gesture, but one that can be very effective - especially in a large crowd. So fart, and if you must, fart often. But always fart without apology. Fart for freedom, fart for liberty - and fart proudly.
And I told you: I think of a photograph you took of me, up in Montreal. You told me to jump in the air, so in the picture, my feet are off the ground. Later, I asked you why you wanted me to do that, and you told me it was the only way to get me to forget about the expression on my face. You were right. I am completely unposed, completely genuine. In my mind’s eye, I picture myself like that, reacting to you.
I thought I'd go away and make one album, but it was extended. The album did so well, and they wanted another album. I was on a high. You make hay while the sun shines, and I was doing it, and you think about yourself; that's what you do.
Some of them relate to farts but they are not fart jokes. They would just be a fart in the joke but it's about something else.
There was this large group of people that we were talking about on the first album - "The Youth" - but we didn't really know what to tell them. We still don't know what to tell them, but we want to make it seem like maybe there's something we know that they want to know, too.
My mom had always wanted me to better myself. I wanted to better myself because of her. Now when the strikes started, I told her I was going to join the union and the whole movement. I told her I was going to work without pay. She said she was proud of me. (His eyes glisten. A long, long pause.) See, I told her I wanted to be with my people. If I were a company man, nobody would like me anymore. I had to belong to somebody and this was it right here.
Ordinary readers, forgive my paradoxes: one must make them when one reflects; and whatever you may say, I prefer being a man with paradoxes than a man with prejudices.
I was a pretentious teenager, so of course I had, you know, 'Raging Bull' posters and all of that. 'Raging Bull' is not a pretentious movie, but me having the poster was a pretentious action. I even grew a goatee and had a Knicks cap, because I thought I wanted to be like Spike Lee.
Malaga were the club that bid the hardest for me, and they were the first, too. When Villarreal told me that they wanted to sell me, I chose them.
I made so many jokes about poor Russell Crowe, he once knocked on my dressing room door, and told me he wanted to go out on this chat show we were on to laugh with me. Now he's ruined it. I can't make another joke about him.
If I ran a school, I'd give the average grade to the ones who gave me all the right answers, for being good parrots. I'd give the top grades to those who made a lot of mistakes and told me about them, and then told me what they learned from them.
Human nature being what it is, if you told me you were going to give me one dollar with no strings attached, I probably wouldn't question the gift too much. But if you told me you wanted to give me one hundred dollars with no obligation, I'd have to think about it for a minute before accepting.
[A] couple I had known - who were old friends - asked me what I was going to work on next. I told them I wanted to write a near future book about AIDS concentration camps. They were vehement in their response: they thought it was a terrible idea. Their words both shocked and saddened me. "Do you really want to write a book about homosexuals?" they asked me. "Won't people who read your work be influenced toward sin?" I notice that I don't hear from them much lately.
In junior high, I really wanted to be popular. Suddenly there were parties with boys, and I wanted to be part of that. There was a group of girls, and I wanted to be friends with them.
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