A Quote by Brian May

The first nine albums there was never a Synthesiser, never any Orchestra. There was never any other player except us on the albums. — © Brian May
The first nine albums there was never a Synthesiser, never any Orchestra. There was never any other player except us on the albums.
My shows have never been related to my albums at all because my albums have all kinds of crazy instruments and stuff that could never be performed live. I'm used to people expecting this 12-piece band to show up with three drum sets and an accordion.
I don't like to listen to my older albums. They frighten me. I can't explain it. It's so subjective. It's so personal. I cannot listen to my first album, ever. Never, never, never.
I think being jilted is one of life's most painful experiences. It takes a long time to heal a broken heart. It's happened to all of us and never gets any easier. I understand, however, that playing one of my albums can help.
I started running to different albums, and I was starting with the short albums and moving on to the longer albums. I was interested in how they built up, in tempo and intensity. it made me interested in albums again, too.
First of all, I've been having a wonderful run of luck with cover albums, songs I didn't write. I had five pop cover albums and two Christmas albums, and they were all very successful.
'Vol. 3' is the most pleasing of our albums to me. And I want to keep making albums that are different from each other. And you can bet all our albums will have that twist that only Slipknot can do.
I find the fact that so few people buy albums to be strangely emancipating. There's absolutely no reason for 99% of musicians making albums to think about actually selling albums. So as a musician you can just make an album for the love of making albums.
I've never not been pleased with one of my albums. I figure because it's spoken word, there will be people who relate to it, and people who don't, so I don't worry about any of that. I've been doing it for over twenty years. I've always written because it was something I had to do, never for the glory.
I hung around hippie-ish kind of people and, first of all, they never made any money. If you never make any money, you never have to declare any profession!
What I love about making albums in the 21st century is that so few people buy albums! I can make an album without any commercial concerns whatsoever.
You're never going to release the next album and have it be different from your other two, three, four, five albums. People give them a hard time, but it's like, 'I'm an artist, I'm trying to grow. I don't want to have the same album for 10 albums in a row!' Same thing for a martial artist.
People buy my albums, and I love my albums when I do them because we try to record live with that same energy, but I can never get the energy that I have when I'm live.
You can never go back to the first two albums in a career.
I have never taken any exercise, except sleeping and resting, and I never intend to take any.
There are albums that I listen to religiously just because I'm such a big fan: any Bruce Springsteen album, or old George Strait albums because the songwriting's so strong.
The albums I did around that time probably wouldn't have been the same without Ecstacy. The first three Soft Cell albums... were all really albums that were just done around Ecstacy and the whole E feeling.
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