A Quote by Brian McKnight
Jazz is all about improvisation and it's about the moment in time, doing it this way now, and you'll never do it this way twice. I've studied the masters. Why would I want to play ball after the guys who sit on a bench? I want to play like Michael Jordan.
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Really, you don't want to think about yards after the catch when the ball is in the air. You want to think about catching the ball. And then let the rest play its way out.
What I meant by that is, any time you have adversity, now you've got a chance to see all of these guys play every game the rest of the way like it's a playoff game. What you want guys to do when there's adversity is to play harder and play better, and that's when you see what kind of guys you have in your locker room.
What I say about actors is you always want to find an actor you can play ball with. You throw the ball at them and you want them to throw it back. Your ball playing is a lot better when you play with good ballplayers, like any sport. Every actor I know feels the same way.
It's like creating an artificial loop saying, 'You didn't play the game the way I wanted you to play, so now you're punished and you're going to come back and play it again until you do what I want you to do.' In an action game, I can get that – why not? It's all about skills. But in a story-driven experience it doesn't make any sense.
I think chemistry matters 100 percent. Because if guys want to play unselfish, if guys want to do things for each other, if they want to win the right way, you're going to play the right way.
People have their own interests and they want to play a certain kind of music. People want to play in orchestras. They want to play on Broadway. Those that want to play traditional jazz and have no interests in the ideas of improvisation. So in spit of the fact that there are fifty violin players, you might only narrow it down to ten and within those ten, there might only be three who have the right kind of background and credentials to deal with what you need to deal with. Everybody's got their own special thing that they are after and a lot of times you don't have time to be training people.
I would never have wanted to play with Magic Johnson, I would never have wanted to play with Michael Jordan, I would never have wanted to play with Karl Malone or John Stockton in my prime. We wanted to play against the Shaqs, the Kobes.
After Michael Jordan recently criticized President Obama's golf game, Obama responded by saying that Jordan should spend more time thinking about his basketball team, the Charlotte Hornets. Then Jordan said, 'Do you really want to talk about whose team got crushed this week?'
We're [with Robbie Robertson ] jazz musicians. The context may be rock 'n' roll but it's still jazz. It's jazz and that means improvization...you play a tune the way it feels and you play it differently every time. It can never be the same.
There's a way to win, and a way to play, and when you play like that, the ball's moving and guys are looking for each other, the game is fun.
I'm just glad to see that Pete (Sampras) shut everyone up last year. That was satisfying. You can't bag on guys like Pete or Tiger (Woods) or Michael Jordan. They can play as long as they want, they can do whatever they want. Nobody should be able to tell them differently.
I'm an actor, and everything about me - the way I perceive things, the way I have seen the world - has been in relation to characters and how I would want to play something or not play it.
There aren't any labels - all jazz means is improvization and you can never play a tune the same way twice. So jazz spills over into everything.
Every session we do we try and talk about the way we want to play, I try to organize the sessions in a way that the players can understand the way I want them to play.
I dreamed about being Michael Jordan, Michael Jordan being my dad at some points, or him helping me play basketball.
I always hankered to be a composer - I was mad about music, though I never studied seriously, and can't read a note. But I learned to play the piano and became pretty skillful at improvisation, especially after a drop or two.
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