A Quote by Brian Molko

I've always found music that is carnal very attractive but not in the most obvious way. — © Brian Molko
I've always found music that is carnal very attractive but not in the most obvious way.
The genuine music lover may accept the carnal husk of opera to get at the kernel of actual music within, but that is no sign that he approves the carnal husk or enjoys gnawing through it.
One of the things Ford Prefect had always found hardest to understand about humans was their habit of continually stating and repeating the very very obvious.
One of the most obvious aspects of the music to people who know jazz is: How does it feel in the swing? These are things that are very subtle and that jazz musician appreciate in a particular way. I appreciate the way Tommy Flanagan swings, the way that Barry Harris swings, the great pulse that Hank Jones and Bill Evans have - end every one of them is different.
I think the music industry is something that's very separate from music. So, by always staying on the music side of it, I've found success.
People always say to me, 'You're really attractive - in an unusual way.' No one ever just says, 'You're attractive.'
Mathematics consists in proving the most obvious thing in the least obvious way.
The music industry went through such a strange stretch in 1977, especially in this country, with the whole punk rock thing coming about. Punk was rebellious-and justified in that response-but it had very little to do with music, and so it created a highly-charged but frighteningly floundering atmosphere that I found very, very disheartening. Musical quality for me has always been an important part of rock'n'roll-and winning recognition for that has long been an uphill battle all the way. Punk seemed like rock'n'roll utterly without the music.
I was quite reluctant in the first instance to come to use the word bisexual with regard to myself because I didn't feel any different inside from the way I had always felt. I always found men attractive. I still find men attractive. I figure out of, you know, every 200 men that pass on the street, I'm going to go, 100 of those are nice looking guys. Now, with every 200 women that pass on the street, maybe one is going to turn my head.
But the focus for actors is always towards acting. It is very obvious that they don't need to have training in professional music.
Anybody can be specific and obvious. That's always been the easy way. It's not that it's so difficult to be unspecific and less obvious; it's just that there's nothing, absolutely nothing, to be specific and obvious about.
I'm very conscious that I want the dance audience to respond and respect what I'm doing, so I'm always very true to the music and I honour the music in the way I see it - I don't mess around with the music.
To me, it's obvious that the winner has to bet very selectively. It's been obvious to me since very early in life. I don't know why it's not obvious to very many other people.
Music was always the distraction, so it was the obvious choice to pursue. My dad always said to find a job I love to do, that way it wouldn't feel like a job. So I did that.
I've dated some very enthusiastic, attractive people and some very unenthusiastic, less attractive people. I see no correlation. But female friends of mine who have dated male public figures have found that is the case. They say male models are terrible in bed, because they feel like just showing up is all the effort they need to make.
Music is one whole force. And I think the Proms have always represented very clearly that music is a universal language, one that everyone can speak. I've just followed my goosebumps in every direction and have found a recipe for what my music feels and sounds like.
The music should highlight nuances within a collection. I always discard my initial music selection, but it's important to get those more obvious ideas on the table, that way you can move on to something more abstract, yet still relevant.
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