A Quote by Brian Ortega

It's a little weird: you're headlining a show on TV, and obviously, people like to associate that with material things. I drive a - what is it - 1999 Chevy Blazer. There's no more cushion on the driver's seat, and the tires are about gone.
I suppose once in a while, a filmmaker makes a movie that's more than just a sum of its parts, more than good acting or good filmmaking. It's something else that has nothing to do with what you've done. This is in 1999, made by people in 1999 for people in 1999 about people in 1999.
When you get out of the driver's seat, you find that life can drive itself, that actually life has always been driving itself. When you get out of the driver's seat, it can drive itself so much easier-it can flow in ways you never imagined. Life becomes almost magical. The illusion of the “me” is no longer in the way. Life begins to flow, and you never know where it will take you.
If you look at the works psychologists have done about individual reports of wellbeing, what happens is that if you're poor, you are not happy. But once you achieve a certain level of material satisfaction then income has very little correlation with people's reported states of happiness, things like climate matter more, things like the culture of the country in which you're raised matter more and so the things really, let's face it, like individual temperament matter more than these things.
In Louisiana, you can drive when you're 15 - you could get your driving permit. I remember, during driver's ed, I fell asleep at the wheel one day. I was tired. The guy shook me and switched and said he was getting into the driver's seat. I didn't fail, so I guess you can fall asleep occasionally. It's Louisiana.
The problem for me is that I just don't often come across material that speaks to me and my TV education. Before we all had DirectTV and Netflix and Amazon, there's literally 15 years where I saw nothing. Now, I get the pleasure of binge-watching, so now I feel like I'm much more in a TV state of mind, because I binge-watched so many incredible TV shows that now I'm actually a little bit more excited about working in the space.
. . . the whole idea of WHAT HAPPENED WAS.... is not about dating. It is more about people who are not committed to who they are or are indifferent about their life in general, which is how I felt about myself when I wrote it. I had turned 40 and I was unhappy and I wanted to write about that. Dating just became the framework. . . . I like all those fringy, weird, nonverbal, quiet, tiny little things, those powerful interchanges between people, things that go unsaid, that people know are happening all the time but nobody wants to talk about. That's what I want to make movies about.
Nobody really knows for sure who the Blue Blazer is, but like I said in my interview, there's a little bit of the Blue Blazer in each and every one of us.
I noticed the more muscle I put on, the more cushion and padding I had, the better my performances were getting. I decided I could be this little, stick-thin thing out there and be hurt all the time, or I could show my athleticism, and if it comes with a little bit of weight on the side, it is what it is.
Raise as little as you can to get you to something that you can show - plus maybe a quarter or two so you have a little bit of cushion - and then raise some more money. Raise as little - not as much - as you can because that's the most expensive equity you're going to sell.
When I turned 16 and got my license, the Chevy Blazer was passed down from my sister, so it was very much a starter car.
Daniel Radcliffe was actually a fan of the show and excited to be on it. Some of it is we've gone long enough that we're legitimate. Even if they don't know the show, they know we are a show and not some weird thing that's going to go away. Also, the more celebrities we get on BoJack show, the more it feels like a club to be in: "If Naomi Watts will make a fool of herself, I guess I can make a fool of myself, too."
I would make the movie industry more like the television industry. TV is more material driven. In TV, you can break new stars. TV can take more chances.
Obviously Mad TV, SNL are one kind of show, whereas The State belongs to the kind of show that is entirely conceived written and performed by a set group that existed before the TV show.
What people don't know about me is that I'm a pretty good businesswoman. Yes, I do this little ol' game show, but I know the show isn't going to last forever, so I've gone into different ventures. But I don't want to sound like I'm bragging.
You want to be in the driver’s seat of your own life because if you are not, life will drive you.
[Raising Hope] is a weird show about weird little humans who love each other.
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