A Quote by Brian Ortega
My whole life, I thought I sucked. And then I get in here, and I grapple other people, and I'm like, 'I'm actually good.'
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Something a lot of people don't know about me is I sucked my thumb until I was in like eighth grade. It's cause, when I was a baby, I sucked my thumb and I guess my mom and dad never weaned me off of that, because they thought it was cute. And then it's like an addiction. That's your security blanket.
Be yourself and do what you actually like doing as an artist. Don't try to think too much about where am I gonna fit in here, and how is this gonna be received, and who is gonna like this? Just do what you like doing and make sure that you enjoy doing it. If you do that and you get good at it by practising, then people are gonna come around - there's so many people out there that listen to all kinds of music. It's important to just do what you like, otherwise the fun gets sucked out of it.
I hated old people as a young kid who thought he knew anything about punk rock. I just thought old people sucked and I thought their opinions sucked.
It's pretty easy to get sucked into a vortex of others and what their thoughts are and letting other people's judgments of you make you actually believe them about yourself. And sometimes you just need people to remind you that none of it means anything.
I think if people thought we were just like the other parties and would ditch our policies at the first moment we thought we wouldn't get a majority, then we'd become just like all the other parties.
The original outline for 'Mississippi Grind' was actually an attempt to go funny. But when we showed it to people we realized that maybe it wasn't as funny to other people as it was to us - we have a pretty specific sense of what's funny - and then we thought, O.K., we need to do this more like we would actually make one of our movies.
Part of how you grapple with intense opposition is by creating real, organic momentum: by actually doing something for people, and then they rightfully buy into it.
I'm glad I get to do characters. It's just like a Polaroid shot of whoever the person is, and to me, anyway, that's kind of what life is like. You get a general sense of somebody, and then we're all good, we get it. We understand each other.
I don't yell back at my mother. When I'm angry or scared or upset, I don't yell. I stay quiet. I've seen how she is, how she would get with Kent and with me and with other people, life if someone at the pharmacy got in the wrong line or asked too long a question, or if someone on the bus accidentally bumped her. I've watched her my whole life, the way people react to her. It doesn't actually help you get what you want, yelling and being like that. It only makes people think bad of you.
Before you dismiss a beginner's work, remember how much you sucked when you started. You probably sucked worse, actually.
In the same way that when the car got going, people thought it would be an electric car, people thought it would be a steam car. Actually, the dark horse in that race was internal combustion, but because of the energy density of gasoline and discovery of oil in large amounts at that point in first Pennsylvania and then Texas, it won out over those other two, to the point that those other two are actually viewed as obscure footnotes in history.
That's what I mean by something grips in a canvas. The moment that happens you are then sucked into the whole thing. Like some kind of rhythm.
One of my favorite ways to write paranormal, as in the 'Wake' trilogy, is to write very normal characters with just a hint of something other-worldly. Like somewhere, maybe, someone really can get sucked into other people's dreams.
I've said jokes where I thought people might get up and hit me for this. A couple of people have thought about it. But they didn't. It gives you a lot of power, because if you're on shows where people are worried about getting sacked and you're not, then you're transcendent because you say what other people would like to say.
Not that anyone minds--no one's paying attention to the music. Most of them never really listen to music. Practically no one actually does. Even at concerts people pay good money for, instead of a three-dollar cover charge, they talk through the whole thing. I feel sorry for them, since none of them understand what it's like to have a song just get into your soul and become your whole world. They don't know what it's like when a song changes your life.
It's good to be happy and tell us how cool your life is and how awesome you are on social media. It inspires other people to be happy, too. But a lot of times, people are trying to be happy in the wrong ways - with money or with different things that are not true happiness. It's leading people down a rabbit hole that actually doesn't exist. So people think like, "Yo, once I get this money and these cars and stuff, I'ma be so happy." But that's not true. And I feel like that's why it's very important to educate people on different things while you are actually on social media.
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