A Quote by Brian Pinkerton

The genres change but all of my stories feature ordinary people thrown into frightening, life-altering situations. — © Brian Pinkerton
The genres change but all of my stories feature ordinary people thrown into frightening, life-altering situations.
I like human stories. I like stories about situations we can relate to. I like movies like 'Ordinary People' or 'Terms of Endearment.' Mothers and daughters, fathers and sons, boyfriends, girlfriends. The stories to me that are worth telling are almost simple ones, but very relatable.
Films really can change a conversation and change someone's thinking and perception, especially with people of color at the center. It rarely happens. I think it's important for both the community but also the world to see people of color in all genres, especially love stories.
If you're a writer, you don't serve genres. Genres serve you. Like, if you're writing a science fiction story set on a spaceship, you don't have to have someone thrown out an airlock.
Bad things do happen in the world, like war, natural disasters, disease. But out of those situations always arise stories of ordinary people doing extraordinary things.
I think I always gravitated more toward psychological studies and how people behave in a variety of circumstances. Most of the stories that I tell tend to feature women who get caught up in certain situations - end up in some calamity or other.
An ordinary Turk, an ordinary Arab, an ordinary Tunisian can change history. We believe that democracy is good, and that our people deserve it.
People don't change very much, and the things life ends up being about don't change from generation to generation. Life is about love. And people's stories don't really change. Your environment changes dramatically, technology changes, but people don't change, in the way our minds work.
I never wanted to make portraits - to photograph celebrities, beautiful people, beautiful landscapes, beautiful buildings, or people in distressing situations.... I have always been interested in everyman - average, ordinary people in everyday situations.
My benefactor said that when a man embarks on the paths of sorcery he becomes aware, in a gradual manner, that ordinary life has been forever left behind; that knowledge is indeed a frightening affair; that the means of the ordinary world are no longer a buffer for him; and that he must adopt a new way of life if he is going to survive. The first thing he ought to do, at that point, is to want to become a warrior.
Ordinary people shy away form negative situations, just as they do with failure. They do their best to avoid trouble. What great people do is the opposite. They are their best in these situations. They turn personal tragedy or misfortune - really anything, everything - to their advantage.
What a vindication of the belief that ordinary people can do extraordinary things, what a reminder of what Bobby Kennedy once said, about how small actions can be like pebbles being thrown into a still lake, and ripples of hope cascade outwards and change the world.
People who rarely read long books, or even short stories, still appreciate the greatest examples of the shortest literary genres. I have long been fascinated by these short genres. They seem to lie just where my heart is, somewhere between literature and philosophy.
The Bible is full of stories of men and women who've found themselves in frightening situations but who chose to look up rather than look down - look up in faith - and God got them through it.
The prime feature in Cornish geology is the upheaval of the granite, distorting, folding back, and altering the superincumbent beds.
My books are about ordinary people placed in extraordinary situations who are able to draw upon their inner reserves to challenge the status-quo in life and navigate compelling human relationships.
The stories that are out and the things that have been published are a sample of my interests. There are genres and sub-genres that I haven't waded into but have wanted to, or have waded into in other places but never actually written.
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