A Quote by Brian Posehn

One thing about writing 'The Sarah Silverman Program' was the concern that I don't give myself the best story, you know what I mean? — © Brian Posehn
One thing about writing 'The Sarah Silverman Program' was the concern that I don't give myself the best story, you know what I mean?
I feel very much a part of what I'm writing about, and I'm writing about things that concern me on a daily basis. I'm not really interested in writing musical diaries, if you know what I mean.
I've been doing stand-up for a few years, and I have a handful of fans just from stuff I've done, like 'Last Comic Standing.' And as a fan of stand-ups myself ... like, when I first discovered Sarah Silverman, I wanted to know everything about her life.
I myself, as I'm writing, don't know who did it. The readers and I are on the same ground. When I start to write a story, I don't know the conclusion at all and I don't know what's going to happen next. If there is a murder case as the first thing, I don't know who the killer is. I write the book because I would like to find out. If I know who the killer is, there's no purpose to writing the story.
I've had more people come up to me about 'Saving Silverman' than anything else. That and 'That Thing You Do!' But 'Saving Silverman' is the one I get most often. And I love that.
I really enjoy Sarah Silverman's fearlessness.
Sarah Silverman. She's the reason I do comedy. Her DNC speech was my favorite thing I ever heard. Sitting down with her and laughing would be incredible.
Sarah Silverman has always been a huge influence on my comedy.
Put me up against Sarah Silverman and I could take her.
You learn to do your best writing on story rather than off story. Very often at the beginning of their careers, writers including me do their best dialogue writing off story - the best lines, the best observations - but they haven't got enough to do with the plot to stay in.
There's a story about how the program is organized, there's a story about the context in which the program is expected to operate. And one would hope that there will be something about the program, whether it's block comments at the start of each routine or an overview document that comes separately or just choices of variable names that will somehow convey those stories to you.
Sarah Silverman makes me laugh out loud every time I see her.
I'm wildly different than Maria Bamford or Sarah Silverman, and might be more similar to some male comics.
I think that to me, films are personal affairs. It doesn't mean that I am against other people doing things differently, but I'm talking about what I can do. So I don't feel comfortable going to a new city or a certain class of which I don't have sufficient knowledge, doing research on that, and then writing a story about it I don't think I have the ability of presenting other people on screen in that way. It makes me uncomfortable. This doesn't mean that I only want to talk about myself. I want to talk about what I know.
The best thing to do when you're writing is to write about something you know instead of pretending. I mean, you can do that too, obviously, but when you write from your heart, it works so much better.
People like Bill Burr and Jim Gaffigan and Zach Galifianakis and Sarah Silverman - they were all amazing and helpful to me.
The writing about what you know thing was a huge one. Not worrying so much about what people think. Just writing for myself and the band is enough.
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