A Quote by Brian Posehn

I've written for the last 15 years on TV shows, but now I'm doing the new Charlie Sheen program, 'Anger Management.' — © Brian Posehn
I've written for the last 15 years on TV shows, but now I'm doing the new Charlie Sheen program, 'Anger Management.'
I hate remakes of TV shows - I didn't like the new Charlie's Angels at all - and I just don't see the point of going back and doing the same thing over again. Baywatch was fun and successful, probably because we didn't know what the heck we were doing.
How can I render uninterrupted interrogation that has been lasting the last 7 years? That's like asking Charlie Sheen how many women he dated.
The problem for me is that I just don't often come across material that speaks to me and my TV education. Before we all had DirectTV and Netflix and Amazon, there's literally 15 years where I saw nothing. Now, I get the pleasure of binge-watching, so now I feel like I'm much more in a TV state of mind, because I binge-watched so many incredible TV shows that now I'm actually a little bit more excited about working in the space.
15 years later, it's all the TV stars with the film deals, whether it's the cast of Friends or That '70s Show now with Ashton and other people doing stuff.
Pamela Anderson Lee released a statement confirming that she has had her breast implants removed. Doctors say that Pamela is doing fine and that her old implants are now dating Charlie Sheen.
I don't actually have cable. I watch TV, but only shows that I buy on DVD. As a result my TV rage factor is pretty low right now. I do have a real distaste for those extreme makeover shows. I once caught a roommate watching one and proceeded to rant for almost 15 solid minutes about how, in watching that bullshit, she was actively contributing to the destruction of all civilization.
I struggled and I did theater for 10 years, for 15 years, I tried to get little parts here and there in TV shows. So, for me, the opportunity to work with Jim Carrey was amazing, it was phenomenal, it was eye-opening.
I've now done virtually everything there is to do in TV presenting: I've done sport shows, comedy shows, and I'm now doing music, which is great for me.
I think that's so particularly exciting about this moment in time is all the new platforms that are now existing, the Netflixes and the Hulus and Amazons and so and so forth; I mean they are really doing what pay TV was doing twenty years ago. So a show like Dancing On The Edge gets to have a digital life after it's playing on Starz. I think what's exciting is how these new platforms are providing more opportunities both for first-run programming on the one hand but also for second plays for shows that have appeared first either on traditional broadcast or on cable.
I immediately went out and bought a book on anger management. And now I have that book, and I don't know if I'll get to the book. But I'm certainly excited about the day where I can't find the book, and I get to say, 'Where the hell is my anger management book?!'
For so long, TV consisted of a limited number of shows a year, and those shows had to appeal to as many people as possible. The joy of TV now is that shows don't have to be broad anymore - they can be small, weird, and niche.
Doing TV shows helps me a lot in my screenplay writing and filmmaking, especially since my TV shows are in different formats: comedy sketches, talk shows, debate programs, art variety shows, quiz shows. These enable me to meet interesting people with interesting stories and to learn about interesting subjects, all of which I can reflect into film.
Charlie Sheen was such a pro.
I was a coach at Spurs for 15 years. I did want to go into management but what was important to me was doing a very good job in whatever capacity I was employed.
I've never met Charlie Sheen.
In between shooting for 'Awake,' I was attempting to have my own pilot season. The audition for 'Anger Management' actually came during a week that I was already testing for a couple other shows and we weren't really letting any other shows into the mix.
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