A Quote by Brian Selznick

For most of my career I illustrated books for other people. — © Brian Selznick
For most of my career I illustrated books for other people.
A library is many things, but particularly it is a place where books live, and where you can get in touch with other people, and other thoughts, through books... Books hold most of the secrets of the world, most of the thoughts that men and women have had.
Well, Bradbury's a genius. Fahrenheit 451 is one of my favorite books of all time, and The Illustrated Man as a collection of short stories ranks up there. When you read it you realize how influential it is on so many other stories and people.
I have copies of the books my grandfather illustrated for Scribner's in each house. I read those books all the time.
I inhaled books. I loved Classics Illustrated comic books. These were books that I could afford to buy after I turned in pop bottles for change. 'The Prince and the Pauper,' 'Robinson Crusoe,' 'A Journey to the Center of the Earth.' Male narratives filled with adventure and self-discovery.
Electronic books are ideal for people who value the information contained in them, or who have vision problems, or who like to read on the subway, or who do not want other people to see how they are amusing themselves, or who have storage and clutter issues, but they are useless for people who are engaged in an intense, lifelong love affair with books. Books that we can touch; books that we can smell; books that we can depend on.
I went out into the world when I was about 22. I wrote books and I illustrated books and did book covers, and I taught tap-dancing, and I was a model in the art school. I had no ability for any of those things, but what else could I do?
When I did get into comic books, it was after a whole other career, and when I got into comic books, they didn't even know who I was.
My main wish is to get my books into other people's rooms, and to keep other people's books out of mine.
The reason diets and other how-to's don't work for most people is the same reason most how-to books and courses don't work for most people. It isn't that the actions are wrong. It's that people don't keep doing them.
When 'Sports Illustrated' came out with their 50 most fashionable people in sport, that fact that I wasn't on that list is a travesty.
Several months later, and I have finally read one of the three (books), even though I wanted to read all three of them immediately. What happened in between? Other books, is what happened. Other books, other moods, other obligations, other appetites, other reading journeys.
...Generally people don't recomend this type of book at all. It is far too interesting. Perhaps you have had other books recomended to you. Perhaps, even, you have been given books by friends, parents, teachers, then told that these books are the type you have to read. Those books are invariably described as "important"- which in my experience, pretty much means that they're boring. (words like meaningful and thoughtful are other good clues.)
For most of your career, what you're trying to do is to step into other people's shoes.
Countries will cooperate with each other, and are more likely to cooperate with each other when they share a common culture, as is most dramatically illustrated in the European Union. But other groupings of countries are emerging in East Asia and in South America. Basically, as I said, these politics will be oriented around, in large part, cultural similarities and cultural antagonism.
There are two ways to look at my publishing career. One is that I'm a novelist churning out books, who is eight into a series; the other way is that I'm a cartoonist, just starting out. Most cartoonists have long careers: Charles Schulz drew Peanuts for 50 years.
All my books are made up of other books. They're all deeply structured on other fiction, because I was a student in fiction and I didn't have much actual living to draw on. I suspect a lot of other people's novels are like that, too, though they might be slower to talk about it.
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