A Quote by Brian Selznick

But I'm a fairly mechanical worker - I tend not to think about themes so much as plot. I want to get the feeling right. If it's moving through tunnels, I ask myself, what is it like to move through tunnels?
There's not always bright lights. Sometimes you have to go through dark tunnels to be able to get to the success.
Everything has to be intrinsic plot-wise in the same way, to use the Linda Williams analogy but to move it on a bit, as musicals - in old musicals, like in an old Cole Porter musical, you get the action, then they do a song, which reflects a moment - everything stops while that is being sung - and then you restart. These days in most musicals, the plot keeps moving through the song. I think it would be nice if someone constructed some pornography where the sex continues to propel you through the story.
I'm going to end up like one of those old weirdos who lives in a network of tunnels burrowed through trash - yet I do not fear this.
The tunnels may be long, and twisted, and dark; but you are supposed to go through them.
I have a fear of tubes and tunnels. Going through any tunnel causes me great anxiety.
I'm trying to conquer swimming. I'm getting there. I've gotta conquer it. I had a fear of drowning and tunnels and flying. I started flying and got my pilot's license, so I conquered that. Now, I'm onto swimming and tunnels.
The way through the challenge is to get still and ask yourself, 'What is the next right move? What is the next right move?' and then, from that space, make the next right move and the next right move.
A large number of people to begin crawling through those tunnels and caves looking for the bad folks.
This is New York, a combat zone, and everyone has to have an angle or they're not allowed over the bridges or through the tunnels. Let them have their angles, it's what they live for. You've got better things to worry about, like making sure the people that actually matter don't try any funny stuff.
I believe there are lizards living amongst us. Do these humans who appear to be humans and look like us and act like us, go into the tunnels where their human faces, their human bodies - do they retract back into being lizards when they go into the tunnels?
When I came to New York as a writer, I was taken with the idea that you're only getting in on bridges and ferries and through tunnels. The idea behind 'Takedown' is that it would be very hard to get out.
I can't throw anything away. Anything. I'm going to end up like one of those old weirdos who lives in a network of tunnels burrowed through trash - yet I do not fear this.
When I get dressed, I don't think about what other people think. I only think, 'Is this me? Is this my truth? Am I able to move through this world with confidence? Am I able to move through this world feeling that I am I?'
I was cutting and threading pipe in the tunnels to get water into the shower rooms for athletics. I was repairing old metal windows, fixing cement walls where rain was coming through, and drying out the maple gym floors in hopes of removing the warping.
We're all looking from the point of view of our own reality tunnels. And when we begin to realize that we're all looking from the point of view of our own reality tunnels, we find that it is much easier to understand where other people are coming from. All the ones who don't have the same reality tunnel as us do not seem ignorant, or deliberately perverse, or lying, or hypnotized by some mad ideology, they just have a different reality tunnel. And every reality tunnel might tell us something interesting about our world, if we're willing to listen.
I once had a gig in Gothenburg and went on the most unbelievable theme park ride, which was a rollercoaster built into a mountain that went through plants and tunnels. It was huge and a thrill to go on.
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