A Quote by Brian Setzer
I put a metronome up to all the songs, and I tried to really keep it true to the original tempos.
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I'm not original, but I strive toward it as much as possible. I tried really hard on Weekend Update to do something that I considered original, which was, I tried to cut all cleverness out of the joke.
I was writing a lot of true love songs-true love almost gone wrong but saved at the last moment...Many of the best songs get written in a state of abject misery. I prefer to write fewer songs and have less cataclysmic events in my life...Some hit songs are really stupid, and who knows why they're hits. But a lot of hit songs are really good.
I'm dead serious about my craft and just really serious about making music in itself. I take pride in making songs and albums where no two songs sound alike. That's the challenge and that's what it's all about, to keep it original and fresh and funky.
I tried to write poems in rhyme. I tried writing songs. Sometimes I jotted down a thought. I would keep a log of spontaneous thoughts.
There was a lot that was tricky about playing with [Thelonious Monk]. It's a musical language where there's really no lyrics. It's something you feel and you're hearing. It's like an ongoing conversation. You really had to listen to this guy. Cause he could play the strangest tempos, and they could be very in-between tempos on some of those compositions. You really had to listen to his arrangements and the way he would play them. On his solos, you'd really have to listen good in there. You'd have to concentrate on what you were doing as well.
So, first you have to be able to play with a metronome. Then you take your freedom. If you play in an orchestra, you got to watch the conductor, he is like a metronome, but it is more difficult because he can change rhythms.
I don't really hate a lot of songs, but I think Weezer has put out some songs I really hate because they've also put out a lot of songs I really like.
It may sound funny, but it's true: I tried to put myself through the 12-step program. I didn't want to attend a real meeting; my role didn't really require that, and I feel those meetings are sort of sacred, and they're anonymous for a reason. I tried to deal with some of my love of snacks - and I relapsed a lot.
Most of the really good songs are dead true. ... It had to have happened to have the song be there. Every time I've tried to make stuff up it just kind of falls flat. So the majority of my work is something that happened to me, I saw happen to someone else, or a friend of mine told me happened. There is a certain amount of theatrical and poetic license. People are supposed to like it, that's why you're doing it. It's supposed to be fun. It's not brain surgery, it's heart surgery. They're just songs.
We're very historically tried and true when it comes to our albums. We pick the best songs; we get rid of the songs we feel don't fit on the album, and we don't work on remixing or remastering albums.
I tried to take heavy metal... and balled it up and chopped it in half and really tried to create a new form of energy. I really tried to re-shape extreme music as I see it through my eyes.
If you put all the songs together that I've written on band records, and put it up next to my solo record, there's definitely a different kind of feel than Billy's songs.
My goal is to put out an album with every song being an original composition of mine. I want the credits to read, 'All songs written by Gregory L. Allman' - that is something I really want to make happen.
I'm hoping to work on some original songs and to keep performing in front of a crowd as much as I can.
They've tried to manufacture other Marilyn Monroes and they will undoubtedly keep trying. But it won't work. She was an original.
It's funny because you do often read in recounts of very famous albums, people tend to focus on mistakes in really positive ways, and there's certain mistakes of my own that I always do find on every record that I needed to accept. I find it really interesting to talk about. I always write songs at the wrong tempos, and I have to learn to accept that a little bit.
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