A Quote by Brian Setzer

I started a big band when grunge was popular. I mean, that didn't make much sense. — © Brian Setzer
I started a big band when grunge was popular. I mean, that didn't make much sense.
When the band were really big and we had massive hits, I was always stressed-out and insecure. I thought I wanted the band to be really popular, but when that happened, there was so much pressure to keep it going.
Exactly you had to dress in flannel, and if you were a grunge band, before the grunge thing took off and you said you were METAL.
With Pantera, we lived through so many trend-of-the-day situations - when grunge was huge, we were still a heavy metal band; when hip-hop started getting incorporated into metal, we stuck to our guns and remained a heavy metal band very purposefully.
You don't accidentally turn into a big band. Not even Nirvana accidentally turned into a big band. They toured - they wanted to become a big band. They didn't necessarily want to become that big of a band, but they still wanted to make a really good record and wanted to come out and tour.
We [No Doubt] were making music that was the opposite of grunge and what was popular on the radio, and we were fine with that. And for a garage band, we were massive! We were already successful in our own minds.
We went from being thought of and talked about as "a band that plays a so-and-so style of music" (a grunge band, a stoner band, etc) to "a band that plays music with a certain sensibility or style to it". I'm not able to see quite what that is, but it's there and some people like it a lot.
It's meant to be seen rolling so it should be big and readable. Wildstyles on trains didn't make much sense to me when I first started and they still don't today.
No band on 21st-century radio has mined pre-grunge hair-metal's sleaze like L.A.'s Buckcherry. So it makes poetic sense that they'd spend their sixth album tallying all seven deadly sins.
Something happened in the nineties. There was a shift. I don't want to blame it on grunge or the rise of indie - but that was basically it. It was seen as dirty and kind of ignorant to have these ambitions, to want to be a big band.
When I'm representing my music live I think of it very much in a rock band sense. When I first started doing festivals in the 90s there really weren't other DJs playing the stages I was playing. So I felt I was being afforded an opportunity to kind of make a statement about what DJ music can be live. In the 90s, if you were a DJ you were in the dance tent, and you were playing house music and techno music. There was no such thing as a DJ - a solo DJ - on a stage, after a rock band and before another rock band: that just didn't happen.
In a way, as much as we love to be a big, loud rock band, the acoustic album was a lot easier to make than the rock records. I think because it was brand new territory for the band.
One day when I have a band I will have a band name, but since it's just me I feel it should just be my name. For me it doesn't make much sense since the music is from me and about me. I haven't ever been in a band.
I don't think I am that tough, actually. Well, tough in the sense that I don't take any rubbish, and that doesn't make me very popular, frankly. I mean, because some people say something to me, and I just tell them off. I mean, why should I put up with it?
I think we got started like all bands. We wanted to make some noise, hang out, and have some fun. Remember, we're from Buffalo - there isn't really that much to do. When we started we were a cover band and slowly developed our own material.
I enjoy playing with a big band occasionally, but it's too restricting; you really don't have a chance to stretch out and do what you want to do. Getting that thing of relating to a large band is great experience; I relate much better, though, if it's a small band.
We were perceived as a post-grunge band.
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