A Quote by Brian Skerry

I typically shoot underwater with my regular camera in an underwater housing, and then I usually have two big strobes that I use to light. But with whales, you're not going to be able to really light a 45-foot subject. Your strobes are only effective for maybe five or six feet underwater.
Russell James asked me to shoot underwater. He tied my feet under the water. I don't know how many feet - maybe five, six meters. He tied me underwater and I had no air. Somebody had a tube, and they were giving me some oxygen, but I couldn't really see anything. Everything was blurry. I'm waiting for the oxygen - that was the craziest thing.
To get ready to climb Everest, I did a lot of hill running with a daypack on and a lot of underwater swimming. I would swim a couple of lengths underwater and then a couple above. It gets your body going with limited oxygen.
I had to pretend to drown. I was underwater, which is scary, and I'm not afraid of water, but people do die underwater.
I swam underwater for 50 meters at a time and walked the length of the pool underwater, with a brick in each hand, all on a single breath.
Sea Hunt was the first time anyone tackled a show that took place underwater. The stories were sort of exciting for kids, like cops and robbers underwater.
I rehearsed it a lot underwater with a mouthpiece for Casino Royale and not freaking out, because you can't see a thing. It's like being in a really bad nightmare. I've never seen somebody drown, but I really swallowed water. It was like choreography. It was very emotional. I was crying underwater at one point.
Po swirled upward from where it had been sitting, and floated over to the window. "When you go swimming and you put your head under the water," Po said, "and everything is strange and underwater-sounding, and strange and underwater-looking, you don't miss the air do you? You don't miss the above-water sounds and the above-water look. It's just different." "True." Liesl was quiet for a moment. Then she added, "But I bet you'd miss it if you were drowning. I bet you'd really miss the air then."
I wish I could live underwater. Maybe then my skin would absorb the sea’s consoling silence.
As a kid I used to hold my breath longer than anybody else, and then I heard stories about people accidently underwater for 45 minutes - how do you recover from that? It's not a miracle. Something allows us to survive.
Being able to breathe underwater would be sweet.
The visual quality of the cameras now is such that you can shoot with available light, and if people are willing to mount a microphone on the camera and maybe even on the subject, then you're good to go.
Peering down into the water where the morning sun fashioned wheels of light, coronets fanwise in which lay trapped each twig, each grain of sediment, long flakes and blades of light in the dusty water sliding away like optic strobes where motes sifted and spun.
When you're on a submarine you're usually underwater for months at a time, and you don't get to Skype or make phone calls. When you get messages, they're maybe two sentences. They're very short.
I filmed underwater for two days in the open ocean with dolphins.
Baptists are only funny underwater.
I have an underwater camera just in case I crash my car into a river, and at the last minute I see a photo opportunity of a fish that I have never seen.
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