A Quote by Brian Stelfreeze

I'm always a little nervous when someone comes from other media into writing comics. It's a unique storytelling form, and it requires both talent and respect. — © Brian Stelfreeze
I'm always a little nervous when someone comes from other media into writing comics. It's a unique storytelling form, and it requires both talent and respect.
Any platform that you use to tell stories helps you regardless of the medium regardless if they are bedtime stories that you tell your children or comics or film. Specifically what makes comics unique is that they are a storytelling device that forces you to think both visually and economically. Some might say you are limited by your imagination, but that is not true because someone has to draw it.
To be honest, writing comics is a dream come true - the form is unparalleled and is home to some of the most original and innovative storytelling around.
I love writing and the little filmmaking I have attempted, but comics is the means of artistic expression that feels most comfortable to me. It's also still a largely uncharted medium with enormous unrealized potential. I like finding new ways to communicate an idea or a feeling, ways that can't be duplicated in other media, so I take great pleasure in the invention and exploration that comics necessitates.
Storytelling is one of comics' esthetic hurdles at the moment, which was the novelist's problem 150 years ago: namely, to take comics from storytelling into that of "writing," the major distinction between the two to me being that the former gives one the facts, but the latter tries to recreate the sensation and complexities of life within the fluidity of consciousness and experience. As far as I'm concerned, that's really all I've been trying to do formally for the past decade or more with comics, and it's certainly time-consuming, since it has to be done with drawings, not words.
Talent alone is helpless today. Any success requires both talent and luck. And the 'luck' has to be helped along and provided by someone.
I don't need to write comics for a living. I have movies and TV for that. I write comics for one reason and one reason only: I love comics. I love the form, the structure, the storytelling process, I love everything about it.
Practise, practise, practise writing. Writing is a craft that requires both talent and acquired skills. You learn by doing, by making mistakes and then seeing where you went wrong.
I've always preferred comics that really rely on visual storytelling. It's what makes comics special. Otherwise, you're better off reading a novel.
That's the type of thing you need to keep in mind when drawing comics. The storytelling. Consider the action and the space available to you, that's what will make it a great comics page. Once you've figured that out, you can always find/make the reference to support your storytelling decisions. So by all means, study film, but as with any reference, the results are better when they inform the craft and not dictate it.
I've always been a very harsh judge of talent because if you don't play the game on both ends of the court, and if you don't play hard every night, I'm probably not going to be in love with you as a player. I'm going to respect you because you're good, but these players are unique.
I never feel there's anything I can't do with comics. There are certain things in comics that you can't do in any other medium: for instance, in Mister Wonderful, Marshall's narration overlaps the events as they're going on. That would be difficult in film; you could blot speech out with a voiceover, but it wouldn't have the same effect. That's always of interest, to see what new things you can do in comics form.
According to this law [the law of Dharma], you have a unique talent and a unique way of expressing it. There is something that you can do better than anyone else in the whole world--and for every unique talent and unique expression of that talent, there are also unique needs. When these needs are matched with the creative expression of your talent, that is the spark that creates affluence. Expressing your talents to fulfill needs creates unlimited wealth and abundance.
Good writing of course requires talent, and no one can teach you to have talent.
I think world creation and monster creation and all of that stuff is exciting as a secondary element of storytelling. When it becomes more important than storytelling, I get very nervous, and you sort of lose me a little bit.
Marriage requires the giving and keeping of confidences, the sharing of thoughts and feelings, respect and understanding always, marriage requires humility - the humility to repent, the humility to forgive. Marriage requires flexibility (to give and take) and firmness: not to compromise principles. And a wise and moderate sense of humor. Both need to be pulling together in the same direction.
Television is what we call the long form of storytelling, where we tell stories over thirteen, twenty-two, or twenty-four hours. Miniseries is an eight-hour form of storytelling, and film is a two-hour form. Each and every one of them are important to me, because they're a different modality of storytelling.
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