A Quote by Brian Stokes Mitchell
The Actors Fund is a human services organization, so our focus has been on caring for the entire human as opposed to dealing with the disease.
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Our intention is not to create cloned human beings, but rather to make lifesaving therapies for a wide range of human disease conditions, including diabetes, strokes, cancer, AIDS, and neurodegenerative disorders such as Parkinson's and Alzheimer's disease.
Our global institutional arrangements - the basic ground rules that govern our world economy - are human-made. They don't exist naturally, nor are they God-given. We make these rules, those of the WTO [World Trade Organization] Treaty for instance, which fill tens of thousands of pages. These words have been strung together by human beings and are also interpreted and enforced by human beings.
There was no name for the disease; his body had gone insane, forgotten the blueprint by which human beings were built. Even now the disease still lives on in his children. Not in our bodies, but in our souls. We exist where normal human children are expected to be; we're even shaped the same. But each of us in our own way has been replaced by an imitation child, shaped out of a twisted, fetid, lipidous goiter that grew out of Father's soul.
In our efforts to get human beings empirically into focus in ethics, we have a standing obligation not only to revisit and, if necessary, rework our conception of human importance, but also to ensure that our best conception is indeed the lens through which we look at our fellow human beings.
I believe in recognizing every human being as a human being--neither white, black, brown, or red; and when you are dealing with humanity as a family there's no question of integration or intermarriage. It's just one human being marrying another human being or one human being living around and with another human being.
Human life is an extension of the principles of nature, and human civilization is a venture extrapolated out of human natures: man and his natural potential are the root of the entire human domain. The great task of all philosophizing is to become competent to interpret and steer the potential developmental forces in human natures and in the human condition, both of which are prodigiously fatalistic.
A romantic relationship might very well have been initiated by God, but the moment our focus moves from our Prince to a human love story is the moment we cease to guard our sanctuary, and our entire foundation for success crumbles into ashes. A relationship that leads us closer to our Prince and carefully protects our inner sanctuary is the key to discovering romance as it was truly intended to be...a little taste of heaven on earth.
I believe that the destructive nature of society that now threatens the existence of the entire human world has much to do with human intelligence. The way to overcome all human suffering-that also is through human intelligence.
Being actors we are dealing with the beauty and complexity of human confusion, no? And we are always trying to get answers.
Every type of destruction that human philosophy, human science, human reason, human art, human cunning, human force, and human brutality could bring to bear against this Book, and yet the Bible stands absolutely unshaken today. At times almost all the wise and great of the earth have been pitted against the Bible, and only an obscure few for it. Yet it has stood.
I think really good drama comes down to real human emotion. That's what makes us all tick, and that's what I've always been drawn to when it comes to scripts is real human emotion and dealing with that.
Human intellectual progress, such as it has been, results from our long struggle to see things 'as they are,' or in the most universally comprehensible way, and not as projections of our own emotions. Thunder is not a tantrum in the sky, disease is not a divine punishment, and not every death or accident results from witchcraft. What we call the Enlightenment and hold on to only tenuously, by our fingernails, is the slow-dawning understanding that the world is unfolding according to its own inner algorithms of cause and effect, probability and chance, without any regard for human feelings.
A glad welcome to this affirmation by a group of psychologists that the self does not stop at the skin nor even with the circle of human relationships but is interwoven with the lives of trees and animals and soil; that caring for the deepest needs of persons and caring for our threatened planet are not in conflict.
The human face is the most deeply ingrained image in our brains. It is the two dots and a dash we connect with as babies. It is the focus of our attention in our relationships with each other. The face and the human figure express all we are. Everything else - architecture, art, even landscape - we usually understand in relation to us.
On the other hand, we don't come to work with all of these social goals, nor are we directly trying to change the world and all of that. Our job is that we have these human characters, and it's our responsibility to play them truthfully and as human as possible. Jill has cast this impeccably. These actors nail it, even the non-Pfeffermans. It's ridiculous.
In the life of our organism, we are continually dealing with a development of force followed by a state of equilibrium. Of course, the human being has no conscious knowledge of what is really going on within him, but what takes place is so infinitely wise that the cleverness of the human ego is nothing by comparison.
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