A Quote by Brian Stokes Mitchell
When I was preparing 'Kiss Me, Kate,' I did go to the Museum of Broadcasting and watched an old kinescope of Alfred Drake doing the role on a television special. It was interesting, but I didn't feel any need to try to copy him.
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As a kid I watched the Academy Awards on television and always wanted one - or several - like one of my favorite directions, John Ford. He won six. On the other hand, Orson Welles, who's on the top of my list, didn't win any. Alfred Hitchcock didn't win any. Howard Hawks didn't win any.
I was seventeen and the star of my high school play. I was supposed to kiss my leading man, but I couldn't stand the guy. I really didn't want to kiss him. All during rehearsals, I refused to kiss him. Then my drama teacher told me, "If you don't kiss him on opening night, you'll flunk drama class. So I kissed him, and that was my first kiss.
We still have a long way to go. Because the reality is that I'm 52-years-old. And how many 55 to 60-year-old women do you see in sports broadcasting? How many? I see a lot of 60-year-old men broadcasting. The physical appearance and natural aging of all the men doing this job don't matter.
You lie, in faith; for you are call'd plain Kate, And bonny Kate and sometimes Kate the curst; But Kate, the prettiest Kate in Christendom Kate of Kate Hall, my super-dainty Kate, For dainties are all Kates, and therefore, Kate, Take this of me, Kate of my consolation; Hearing thy mildness praised in every town, Thy virtues spoke of, and thy beauty sounded, Yet not so deeply as to thee belongs, Myself am moved to woo thee for my wife.
I grew up with family who liked to travel and sightsee, so I have this pressure inside me: If I'm in a city and I have enough free time, I'd better go to a museum. I try to see parks, go outside. Or else try to feel really normal like go to Target or a drugstore, or go see a movie.
There was a time when I said, "I'm going to go do a television thing," after doing all these theatrical films, and heard, "Television? Why are you going to go back to television?" It's an interesting place.
Essentially, my hero-role model is Muhammad Ali, because when I watched this one fight of his with my dad when I was a kid, and I watched him not go down... I think him just taking a lot of blows and not going down, it was so moving.
I watched how happy broadcasting made him. And if you're close with your parent and you see they're happy doing something, it's only natural you want to follow in their footsteps.
We can't negate television. Unfortunately, I do feel in many ways that it did kill my movie career. It did do that. But would I not do it again? Do I have any regrets about doing it? No.
The process of doing films is not my favorite, but I love television. Television is a quicker turnaround. You shoot more during the day, which makes me feel more productive. It would be like, 'I did five scenes today and ten pages.' That's television.
[Trey Parker and Matt Stone]called me one Saturday morning and said, "Can you do an impression of Conan O'Brien?" And I said, "I don't know." Because that was really... He hadn't been on the air that long, and to be honest, I hadn't watched much of him at that point. So I went to Santa Monica to their studio and said, "Well, what does he sound like?" They said, "Well, just try it one time. Read the copy." And I read the copy one time, and they went, "Okay, that's fine. Thanks a lot, that'll do. That's perfect."
You try to get the feel of any role, but it's much more difficult in the case of Christ because everyone has their own personal image of Him. It's a role you take on, knowing that no matter how you play it, you are going to disappoint many.
I did 'How to Succeed in Business... ,' 'Kiss Me Kate,' 'Godspell,' and 'You're a Good Man, Charlie Brown' in high school, all of which were fun.
I aspire to be Jack Nicholson. I love his every single mannerism. I used to try and be him in virtually everything I did, I don't know why. I watched One Flew Over the Cuckoo's Nest when I was about 13, and I dressed like him. I tried to do his accent. I did everything like him. I think it kind of stuck with me.
When you work with Drake, you don't really work with Drake. You send him the song, he rap on it, then y'all done worked together. So it ain't like me and him sitting in the studio.
What I think about when I frequent the Museum of Natural History, the Metropolitan [Museum of Art], and I look at these artifacts that are taken out of context and how we're forced to view them as objects, as relics, as sculpture- static. But what's interesting is what it allows me to do in my head in terms of imagining what the possibilities are or imagining the role in which they played within a particular culture which I'm fascinated by.
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