A Quote by Brian Stokes Mitchell

'Kiss Me, Kate' was my 'Ragtime' Tony. — © Brian Stokes Mitchell
'Kiss Me, Kate' was my 'Ragtime' Tony.
You lie, in faith; for you are call'd plain Kate, And bonny Kate and sometimes Kate the curst; But Kate, the prettiest Kate in Christendom Kate of Kate Hall, my super-dainty Kate, For dainties are all Kates, and therefore, Kate, Take this of me, Kate of my consolation; Hearing thy mildness praised in every town, Thy virtues spoke of, and thy beauty sounded, Yet not so deeply as to thee belongs, Myself am moved to woo thee for my wife.
What is scurrilously called ragtime is an invention that is here to stay. That is now conceded by all classes of musicians... All publication s masquerading under the name of ragtime are not the genuine article... That real ragtime of the higher class is rather difficult to play is a painful truth which most pianists have discovered. Syncopations are no indication of light or trashy music... Joplin ragtime is destroyed by careless or imperfect rendering, and very often players lost the effect entirely by playing too fast.
Kiss me, Kate, we shall be married o'Sunday
Why, there's a wench! Come on, and kiss me, Kate.
So, when kiss Spring comes we'll kiss each kiss other on kiss the kiss lips because tic clocks tock don't make a toctic difference to kisskiss you and to kiss me.
I had left 'Ragtime' - and 'Ragtime' was a completely different beast, no pun intended, than 'The Lion King'.
I did 'How to Succeed in Business... ,' 'Kiss Me Kate,' 'Godspell,' and 'You're a Good Man, Charlie Brown' in high school, all of which were fun.
Lemuel Ayers had had a huge success producing and designing Kiss Me, Kate. He wanted to produce this as a musical. I got the job. It was a professional score.
It wasn't my first kiss, maybe it wasn't my best kiss, but it was pretty fine, and the fact that he had asked will forever make that kiss stand out in my mind, touch my heart, make me remember a kiss so tender it made me cry.
Ragtime has about the same amount of respect as comics. And in a way they're similar art forms. Ragtime is highly compositional, and the emotion in the music is built in, whereas in jazz a lot of that emotion comes from the way it's performed.
When I was preparing 'Kiss Me, Kate,' I did go to the Museum of Broadcasting and watched an old kinescope of Alfred Drake doing the role on a television special. It was interesting, but I didn't feel any need to try to copy him.
Let's have a partnership, Kate. I offer honesty, Kate. I don't have have outrun the Beast Lord I just pissed off, Kate. I only have to outrun you and hit you with my car as I hightail it out of here.
For I am he am born to tame you, Kate; and bring you from a wild Kate to a Kate conformable as other household Kates.
Kiss me, please kiss me But kiss me out of desire, babe, and not consolation You know it makes me so angry 'cause i know that in time I'll only make you cry, this is our last goodbye.
I was seventeen and the star of my high school play. I was supposed to kiss my leading man, but I couldn't stand the guy. I really didn't want to kiss him. All during rehearsals, I refused to kiss him. Then my drama teacher told me, "If you don't kiss him on opening night, you'll flunk drama class. So I kissed him, and that was my first kiss.
After we'd filmed one series of 'Kiss Me Kate,' everyone was saying: 'The guy's got great comic timing,' - that was the first I'd heard of it. I'm not a comedian, I don't want to depend on a singular box of tricks. I like story and characters, to take on world views that are not my own.
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