A Quote by Brian Sutton-Smith
People who play are happier people. And people who don't have access to play tend to be depressed.
Related Quotes
I've found that the people who play villains are the nicest people in the world, and people who play heroes are jerks. It's like people who play villains work out all their problems on screen, and then they're just really wonderful people.
I tend to play strong characters and people just assume that I would want to play romantic comedies, which I would love to do, but there are other women that do it so great and they maybe couldn't do what I do, play the kind of characters that I play.
I can be a teddy bear, but more people tend to see me as the other side of the coin, and that has to do with casting, more Iago than Hamlet. But I don't play villains; I play people doing the right thing for the circumstances and time.
The problem with a lot of comedy clubs is not that they are a comedy club; it's just the cheesy way they're presenting themselves. That's why a lot of people have a problem with them. If you're a relatively unknown comedian, you can play at a comedy club, you might play to hundreds of people every night. But if you try to make a concert event out of it, and try to play a rock club or something, where you might play to 10 people or no people. And the flipside of that is, that's also a great thing, to play to people who are your fans. Some people are too hard on the comedy clubs.
I would rather see a game where you play to feel happier and to make other people like you and to make the people you care about happy.
We've got a great bench of songs, and the people have a really good time at our Stereophonics's shows. People are the same all over the world. If we can play football stadiums and arenas in one country, there's no reason we can't play them in another country. People are people.
I play to all people, and I play to people not governments, and I believe strongly that all people are peaceful and would want peace.
People tend to forget you. I didn't want people to go, 'That is that guy that used to play in Van Halen. What's his name again?'
I like to play things that people understand, or maybe tunes that they could recognize. And so — I play for the people, just as much as for myself. Because, as I say, I still like to play.
I've found that the people who play villains are the nicest people in the world and people who play heroes are jerks.
These guitar institutes and things like that, I think they take away people's identity and they're actually encouraging a lot of people to play who are not naturally good players anyway, but they're telling people that anyone can learn to play.
But basketball was always something I was good at, that I was passionate about. I just didn't have the confidence to play in front of people at the time, at that early age. Now, I feel like I'm ready to play in front of people and play on the big stage.
I certainly play people on the edge quite a lot. I am interested in what makes people odd and what makes them different. In life I try to play the edges. I have a horror of the herd. There are many, many different sorts of people. A lot of people are fairly uninteresting. I want to play the interesting ones. The villains are always more interesting to portray. Shakespeare knew that.
People have to see play as more important than what it currently is. We don't want to get boxed into thinking play only happens on a playground. The best type of play is all kinds of play.
I tend to get comfortable with the dialogue and find out who the person is in the script and try to hit that. People are sort of independent of their occupations and their pastimes. You don't play a politician or a fireman or a cowboy - you just play a person.
I felt audiences are happier to take comedy people who play darker people because there's a link between the psychosis of comedy and the psychosis of being a twisted character.
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