A Quote by Brian Tyree Henry
Hip-hop is not about pretense. You can be missing an eye; you can have an ice-cream cone in your face; you can run around with Bantu knots; you can decide to wear gold, all everything. It's not about how you look - it's about what you say. It's about what message you're getting across.
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To me, that's the biggest problem with hip-hop today is the fact that everyone believes that all of hip-hop is rap music, and that, when you say "hip-hop," it's synonymous with rap. That when you say "hip-hop," you should be thinking about breakdancing, graffiti art, or MCing - which is the proper name for rap - DJing, beat-boxing, language, fashion, knowledge, trade. You should be thinking about a culture when you say, "hip-hop.".
We can teach about hip-hop history, we can teach about legends, hip-hop theory. It's been around so long that text books can be written about it. This is a perfect time to capitalize on and get kids excited about music education.
The thing about hip-hop producers, and the thing about hip-hop musicians, is that we listen to everything. And we're inspired by everything. I'd say even more so than any other genre of music.
There needs to be structures in place to do something about misrepresentation about hip hop. When awards are given out and the media talk about hip hop, they're confused because they haven't done their homework on it so you have a case where there's an award for the most pop song in the world and it's called 'hip hop'.
As a Christian when I watched the people in Katrina they lost everything. I'm not just speaking about the Black people, I'm talking about White, Chinese, Oriental, whoever lost stuff. My heart went out to 'em. I said as a Christian it would be a sin before God for me to wear my gold around people, flashing it in their face and they don't have nothing. So I said never again would I wear my gold, I want people to know I have a heart of gold and not the gold around my neck.
All of a sudden it became that hip hop didn't used to be about partying; hip hop used to be about putting out a message.
Well, we have to realize the truth about the person who is a hip-hop insider. Most of these people are not really insiders. They are people who are chosen to do an interview and they will make a statement and say that they are a part of the hip-hop culture, but from an intellectual standpoint, they are not very sharp, because back in '1990..'91 one would criticize somebody for doing one type of commercial and say that's not real hip-hop and then another rapper turns around and sell them malt liquor and say that's real hip hop.
I think unadulterated products and smaller portion sizes mean consumption of less food overall. Portion is everything. The first time I bought a scoop of ice cream in Paris, they weighed the ice cream on a scale before putting it on the cone. It was so small, it fell into the cone as she handed it to me.
This is the thing about hip-hop music and where people get it most misconstrued: It's all hip-hop. You can't say that just what I do is hip-hop, because hip-hop is all energies. James Brown can get on the track and mumble all day. But guess what? You felt his soul on those records.
Hip-hop culture is deeply rooted in the wrong things. Hip-hop is about drugs right now. It's more so about drugs - about selling drugs, about using drugs - it's bad for kids.
A lot of times, when people say hip-hop, they don't know what they're talking about. They just think of the rappers. When you talk about hip-hop, you're talking about the whole culture and movement. You have to take the whole culture for what it is.
If you go to a therapist, they say, 'Are you sure? How do you feel about your wrinkles?' And I say, 'I don't know, because I don't really see them.' I see my hands, but I don't see my face, so it's not a torment. I only see it for five minutes in the morning when I brush my teeth! When you read women's magazines you always read about this drama of getting old, about anti-aging cream and plastic surgery and whatever else. But I think if you're independent, like I have grown to be, it's welcome.
Hip-Hop is diverse. But the white, capitalist producers and distributors of Hip-Hop are most interested in the Hip-Hip that is misogynist, that is Black-hating, that is pugilistic, that is to say all about fighting and war and killing and gangsterism.
I think hip hop allows us to talk about everything, and Africa is what I choose to talk about now. If people are not talking about Africa, that's them, that's cool, there's nothing wrong with that. But this is who I am, this is what I have to say, this is what I have to offer.
A lot of MTV's programming is hip-hop based, and the messages are usually all about bling bling. A lot of hip-hop artists sing about stuff that's more important, but they seldom get heard. The ones who get heard are the ones saying, 'Think about yourself. Make your money. It's all you. Everybody have a good time and party.'
To spend any time with someone who is among the top five film composers of the last 50 years is pure gold dust. I mean, not necessarily stylistically, because everyone is different in what their music sounds like, but the approach and how to look at a film, how to think about a film, how to decide what you want to do, how to think about characters, how to think about art, how to think about narrative, how to liaise with producers, how to liaise with directors.
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