A Quote by Brian Tyree Henry
My sisters were teenagers when I was born, so the last thing they wanted was a little nappy-headed boy running around. I would imitate them or copy things off TV.
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I was the last one of nine kids - eight girls and me last - and my sisters were going out. They were teenagers. And as they were getting ready, I would sit on the bathtub and watch them put on makeup and transform themselves - you know, putting on clothes and giggling about the boys they were going to meet and everything. So for me, that was an amazing thing - the fact of transforming themselves.
Boys are found everywhere - on top of, underneath, inside of, climbing on, swinging from, running around or jumping to. Mothers love them, little girls hate them, older sisters and brothers tolerate them, adults ignore them and Heaven protects them. A boy is Truth with dirt on its face, Beauty with a cut on its finger, Wisdom with bubble gum in its hair and the Hope of the future with a frog in its pocket.
I'm surprised how easily Don Imus came back. He was off the air for a little while after the 'nappy-headed' comment in 2007, and then he's back as strong as ever.
I always wanted to entertain. When I was little, I would sing in front of the mirror with a hairbrush or my sisters and I would make shows. I always wanted to be on TV.
When I was growing up, I was running around; I was a little tomboy. So I was just running around trying to be an athlete and trying to reenact things from TV, but I wasn't really into reading comic books or anything like that.
I was spurred by the fact that having worked for women's magazines myself as a journalist, if you go off and interview a female celebrity, I'd just go in and interview them like I'd interview any human being and talk about the things that interested me. And you'd come back, and you'd file your copy. And then my editor would read through my copy and go, why haven't you asked them if they want kids? And I'd be like, well, I don't know, I interviewed Aerosmith last week. And I didn't ask them that.
I never walked the streets of New York hoping to be a musical comedy star. For one thing, they would have thought I was too tall, because l was five feet eight and a half, and they were all little bitty things running around in the studio at that time.
You can sort of start to write around 10. You also become a good reader around that time, and you want to imitate the thing that you love. I got praise for it, and then I found that it was a great way of translating my life, so I would write little stories and plays and things. At that point, it was kids' books that I was reading.
The last thing we need are more pointy-headed intellectuals running the government.
There are many things that only teenagers can do. Many things that they learn while they are teenagers will become important tools for them after they grow up, and I hope teenagers would make choices that they will not regret in the future.
To me representing clairvoyance, how was I going to achieve that, how I was going to capture that? For me, it all became about her gaze and the way she takes you in. It's a rhythmic thing and a stillness thing to consider but these are little details, little nuances. We were invited to the sanctity of her home and there were roosters running around and she's screaming, "Jackie, be quiet!" Even though she's in the middle of the thing. And these are the details that we wanted to incorporate into our story.
If you're tracking with a character that's running off a thing and diving off, I would leave the camera there and not follow them down, because cameras don't do that. The audience understands that. I'll definitely bring that understanding of keeping things a bit more grounded.
When you were a kid and the circus came to town it was awesome to see these little creatures, but these things go out of fashion, like polyester blazers with rolled up sleeves. We don't have to suffer them anymore so why are there all these little people running around?
I remember being a little kid sitting in the living room with my brother and some friends from around the neighborhood, and I would sit at the piano and as they were running around the room doing different things and being silly, acting out, I would actually play the score for it - the music that went along with it.
It's definitely evolved from where it started - for 'Treat Me Like Fire,' I wanted something extremely wild because I was going to be running through the woods and I wanted it really nappy and crazy.
In 'Sisters of War,' I got to do one of my own stunts. Running out of the building because the Japanese were firing, with all these little spark plugs are going off, looking like explosions and bullets flying down. That was really fun.
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