A Quote by Brian Wilson
I approach my music-making as an art-form--something pure from the spirit to which I can add dynamics and marketable reality. Music is genuine and healthy and the stimulation I get from molding it and adding dynamics is like nothing else on earth.
Related Quotes
Most true artists care about music as a pure, passionate art form, but can get caught in the trap of the business. Which, sadly, has now become more important than the artist or even the music itself.
CEOs resign when the internal dynamics of the company and the external dynamics of the company actually come together to say it is appropriate. When the internal dynamics ask you whether you have a replacement. I think the transition from CEOships have also become cartoonish.
I'm a big fan of human dynamics. Nothing fascinates me more than really interesting people and human dynamics.
Music, for me, is the most sacred of the arts. I say that because music communicates in a way that no other art form can. All great art has a spirit that we recognize and appreciate, but music goes directly to your heart.
Music is the purest form of art, and therefore the most direct expression of beauty, with a form and spirit which is one and simple, and least encumbered with anything extraneous. We seem to feel that the manifestation of the infinite in the finite forms of creation is music itself, silent and visible.
People always focus on people like me who use synthesizers, right, which are explicitly electronic and therefore obvious. "Ah, yes, that's electronic music." But they don't realize that so is the concept of actually taking a piece of extant music and literally re-collaging it, taking chunks out and changing the dynamics radically and creating new rhythmic structures with echo and all that. That's real electronic music, as far as I'm concerned.
It's also a reasonable scientific program to look at the dynamics of the standard model and to try to prove from that dynamics that it is computationally capable.
Action set pieces are my absolute favorite thing to write. I'm pretty much always in the mood to do them, but music certainly helps the process. I usually brainstorm out the dynamics and choreography of a fight to music beforehand - it gives me the little sparks of imagination when I get to the gaps in my own creativity.
We're all friends, inside the music and outside the music. I mean, we don't sound anything alike, we don't approach our music anything alike, but we come from the same genuine place. We want our music to be real and we don't want to compromise our art.
My advice to young people wanting to make music and to be in this industry is to really spend your time making music. Make so much music you have no friends. Make music. Figure out what it is you love, and... because if you're making cool art, then everything else will fall into line.
As a composer I might class myself as a Neo-Romantic, inasmuch as I have always regarded music as a highly personal and emotional form of expression. I like to write music which takes its inspiration from poetry, art and nature. I do not care for purely decorative music. Although I am in sympathy with modern idioms, I abhor music which attempts nothing more than the illustration of a stylistic fad. And in using modern techniques, I have tried at all times to subjugate them to a larger idea or a grander human feeling.
Architects in the past have tended to concentrate their attention on the building as a static object. I believe dynamics are more important: the dynamics of people, their interaction with spaces and environmental condition.
It was just a little weird coming into the seventh season (of 'Gilmore Girls'), where everyone is already set in their ways and their dynamics, and you sort of feel like you're coming into a party late. So I was just, like, 'Ugh! How do I make friends?' It's like high school dynamics!
That's what I miss out of all this synthesized music - it starts to lose dynamics.
I'd been making music that was intended to be like painting, in the sense that it's environmental, without the customary narrative and episodic quality that music normally has. I called this 'ambient music.' But at the same time I was trying to make visual art become more like music, in that it changed the way that music changes.
I see in the melody of Nature, God. It is a wonderful work of art. The spirit of the art is wonderful. And I feel that I am myself because I have never taken music lightly. Music is the manifestation of God, like everything else.
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