A Quote by Brian Wilson

I'm doing good. I've had a slight nervous breakdown in the '60s. I got through that. And I got through the '70s. And I was in a doctor's program during the '80s and then I met Melinda and we've been together ever since. I've got a happy life.
Doing a concert, I look at a room full of different people, and I see you've got Muslims, you've got Jews, you've got Christians, you've got gays, you've got straights, you've got blacks, you've got whites. I think, 'How can I unite these people through song?'
I met a woman who went through a very difficult personal crisis, and she was really bed-ridden for a long time, and 'Friends' got her through. I met a woman who had a brain injury while living in Europe, and 'Friends' got her through.
I've got all of the old school vinyls from the '70s - even further back, like the jazz music in the '40s, '50s, '60s. Then I've got all the '80s stuff underground, hip-hop when hip-hop really first started. The '90s stuff. All of the good stuff, because I'm really into music, and it helps me create new songs now.
First I got a yo-yo. I got good and then I got bored. Next I got one of those wooden paddles with a rubber ball at the end of an elastic band. I got good and then I got bored. Then I tried bubbles. I got good but I never got bored.
I had never met Woody Allen before Melinda and Melinda. My agent knew the producer of the movie and he suggested that we would work well together and then we did. We had a great time on that film.
I'm really fortunate to have been to the schools I've been to, and to have the experiences I've had. And, partly since my parents are retired teachers, I've got the desire to give back. When I knew that I had that instinct, I got certified (through the Creativity Coaching Association) and I started working with artists of all kinds - though now I focus on writers.
You've got troubles, I've got 'em too. There isn't anything I wouldn't do for you. We'll stick together to see it through cause you've got a friend in me.
My father was a doctor, and I admired him and got along well with him. He took me with him on house calls. We were living in Flushing, which was then a sleepy village of 25,000 - before the subway got there. I've been sure I wanted to be a doctor since I was about 12.
There are some fires you can't get out of- you've got to go through the fire - you've got to go through the flood - you've got to go through the test - you've got to go through the struggle that you might decrease and he might increase.
Everybody faces obstacles. And I looked to people who had been through many to succeed in life. Abraham Lincoln, born to a poor family, faced defeat through most of his life. Lost eight elections, failed two businesses, had a nervous breakdown, and still became president.
I was into fantasy more than horror. I was growing up in the mid-'70s through the '80s, and I also got a healthy dose of that classic era of film.
When I got with Nina Greenberg, I had been running for a few months already without a trainer. But then she gave me a program and guided me through my runs, showing me how to take care of myself and letting me know I should ice my legs and stretch - stuff I hadn't been doing.
I started doing martial arts since I was 12, and then I went into wrestling in college. After I met John Hackleman, I started getting really serious about it, and after a few amateur fights, I got an invite to the UFC and have been in love with it ever since.
Like every girl, I had dreams of marriage, but I got victimized in a cheating scandal. When the proposal came through the family, everyone was happy. I had started talking to him with the consent of both families and after a week, all of a sudden, we got to know that I wasn't even speaking with the person whose picture had been given to us.
There's actually a time when I got cast in something and it was announced that someone else was cast. I hadn't been told yet if I had the role and I had a breakdown because I really wanted it and it was announced on this website that this other girl had gotten it. I was so sad and called my agents and said, "You guys didn't tell me this other person got the role!" They were like, "No, they haven't decided yet." Then two hours later I got the call that said I had the role.
I was really proud to be in that show. I will never forget. I got the script to 'Millie,' and I'm flipping through the script and saying, 'Boy, I have some lines... I have a big song.' I was 25 years old and had never been on Broadway before. I got to the end of the script, and I was really nervous and excited. I realized I had a lot to do.
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