A Quote by Brice Marden

Holding together a kind of tension. When you see a painting that's really good that's what it's doing. — © Brice Marden
Holding together a kind of tension. When you see a painting that's really good that's what it's doing.
I'm not flailing now, as my muscles are rigid with the tension of holding myself together.
Objective painting is not good painting unless it is good in the abstract sense. A hill or tree cannot make a good painting just because it is a hill or tree. It is lines and colors put together so that they may say something.
You have bits of canvas that are unpainted and you have these thick stretcher bars. So you see that a painting is an object; that it's not a window into something - you're not looking at a landscape, you're not looking at a portrait, but you're looking at a painting. It's basically: A painting is a painting is a painting. And it's what Frank Stella said famously: What you see is what you see.
I was never a big fan of horror. I got into it making these films, but I don't ever see myself doing slasher movies. The kind of horror film I like is The Shining. I don't really like slashers, but I love thrillers with tension.
I was never a big fan of horror. I got into it making these films, but I don't ever see myself doing slasher movies. The kind of horror film I like is 'The Shining.' I don't really like slashers, but I love thrillers with tension.
She wasn't doing a thing that I could see, except standing there leaning on the balcony railing, holding the universe together.
To see something marvelous with your own eyes-that's wonderful enough. But when two of you see it, two of you together, holding hands, holding each other close, knowing that you'll both have that memory for the rest of your lives, but that each of you will only ever hold only have an incomplete half of it, and that it won't ever really exist as a whole until you're together, talking or thinking about that moment ...that's worth more than one plus one. It's worth four, or eight, or some number so large we can't even imagine it.
life's kind of like a painting. A really bizarre, abstract painting. You could look at it and think that all it is, is a blur. And you could continue living your life thinking that all it is, is just a blur. But if you really look at it, really see it, focus on it, and use your imagination, life can become so much more. The painting could be of the sea, the sky, people,buildings, a butterfly on a flower, or anything except the blur you were once convinced it was.
Please don't tell me to relax, it's only my tension that's holding me together.
I think I've always been afraid of painting, really. Right from the beginning. All my paintings are about painting without a painter. Like a kind of mechanical form of painting.
I spent some time in Cairo, and you see these Coptic Christians and Muslims holding hands. They got a rich history together of working together and cohabitating. You couldn't pay to see that in America.
I really love any and all manifestations of art, really respect any kind of artistic impulse, whether it's paintings and sculptures or really good filmmaking or music. I really see the relationships between these different mediums as very fluid. I think you see that nowadays, in this postmodern context, there's much more use of different mediums in contemporary art. For me, if you're a creative person, you can choose to make a painting, you can choose to make a film.
Irony is about contradictions that do not resolve into larger wholes, even dialectically, about the tension of holding incompatible things together because both or all are necessary and true. Irony is about humour an serious play. It is also a rhetorical strategy and a political method, one I would like to see more honoured within socialist-feminism.
Painting is... a correspondence between what you are and what you see. It's a moment when something is holding together in such a way that it is a universe in itself... Within this is a test and also a judgment upon yourself, your capabilities, your promises, and the part that you play in the world. And nobody else can test that for you. Certainly not the Museum of Modern Art.
Really good director sometimes will kind of see what the actors are doing and then get in there. Because there's the realization that you have to find it a little bit and then kind of clump around and sniff it out.
I love the paddle board. It's just a really good way to recenter. Being on the water is really peaceful, and you have to focus on your balance and holding yourself up. Doing a little bit of yoga under the sun on the water is really, really magical.
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