A Quote by Brice Marden
These days people believe they can go into art and make a living. We didn't have that. The abstract expressionists were older, by the time they even got a show. Now people come right out of school and sell.
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I admire the abstract expressionists and pop artists so right now I'm referencing American '60s art and at the same time referencing Japanese manga culture.
I never expected to sell my art. It wasn't like today where you come out of art school and they promise you a future. Now it's almost regulated in a way. When we came out of school, we just wanted to make art that'd blow your hair back and do it for sport. There was no commercial possibility that we saw.
I was an art history major, but never specifically contemporary. I would say where I really stopped were the abstract expressionists in the New York school.
Those damned Abstract Expressionists. They were a major problem. Because the critics adored them to such an extent, reams and reams, pages and pages of articles about Abstract Expressionists, when we came along, we were just not taken seriously at all.
If you come on the set of 'Sleepy Hollow,' and you go, 'So, is this a 'Once Upon a Time' spinoff?' That's right when we start slappin' people. It's right then. Now if you came on the set, and you were like, 'I like this show. It kinda reminds me of 'Supernatural,'' that gets you a high five.
At the beginning of the Larry Sanders show, you know, we were grateful to get guests. At the end, it was as if we actually were The Tonight Show. People would come on, and it had the same sort of imprimatur as if we were on the air. I've been on a lot of talk shows during that time and since then, and people would come up in the dressing room or in the corridors and say, "You guys got it exactly right." Or they would say, "We have Larry Sanders moments every day."
I got a PhD from Harvard and a few years later, there was a girl from Sunderland who hadn't got into Oxford or Cambridge, even though she'd got perfect A-levels. Harvard asked me to come and recruit her because I was recruited out of university by Harvard - they were trying to show that people could make it.
In the commercial music world, the folk world, we sell records and concert tickets - this is the way I make a living. You go out, you make your art and hopefully people will put their money down for it. But it's getting hard. I have to be on the road so much to keep the lights on.
I got a C in art when I was in 11th grade. That it is even possible to come out of a high school art class with a C is wondrous, especially considering the creative license we were encouraged to use to, for lack of a better axiom, color outside the lines.
I always wanted to be a singer. I was going to finish school and go to Berkley, and then Vine came out, and I felt like I could finally show people my talent. I can even sing in the Vines. It's honestly changed my life. I don't know where I would be right now without it.
I went to art school, but I didn't last because in those days you couldn't take comics as a course. And they weren't even teaching you to draw real things, they were really into abstracts, and I was not into abstracts, so art school and I did not work out.
I just remember the feeling of being dropped from Island and having our hearts broken. Because we were given a chance to put out an album to the world. We got the chance for people to know who we were. We wanted to make our dreams come true and do hip-hop for a living, but we didn't do it right.
Boxing's a bit like the Army, nine out of 10 people come out as pretty nice people. It taught me self-worth, to respect my elders and what the right thing was to do. As a result, I don't think I even got a single detention at school. It helped me to be good.
I can never fathom it when people say things like "I can't understand abstract art!" Or: "Abstract art is junk!" Or: "Abstract art isn't as valid as realism!"
I love doing comedy, I really do. It was perhaps my first love. And I think, as an actor, you're young and you do school plays and the reason you go 'I might do more of this' is because you make people laugh in a school play. You don't go and do Hamlet when you're nine and go: "I feel people were really moved out there!" You do a silly voice and everyone laughs and you go: "Ooh, that feels quite nice. I might make a life out of this!"
I remember in the old days, when we were promoting a show, we'd be out taping flyers to high-school lockers. Now you just announce the show online, and it's a full house.
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