A Quote by Bridget Carpenter
There was a way that I approached that with the art department and the background players, which was that I didn't want people to have stepped out of a catalogue. This is not a world of perfect beauty. I wanted it to be the real world of the 1960s. I know that some women walked out of the house without lipstick.
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I have an idea that the only thing which makes it possible to regard this world we live in without disgust is the beauty which now and then men create out of the chaos. The pictures they paint, the music they compose, the books they write, and the lives they lead. Of all these the richest in beauty is the beautiful life. That is the perfect work of art.
Ultimately, all I wanted was for players to feel like they were in the real world. I wanted them to be able to apply real world common sense to the problems confronting them, and I thought recreating real world locations would encourage that kind of thinking. There's also just a real power, a real thrill, when you fire up a game and see a place you've been or want to go, and then get to do all the stuff you WANT to do there but know you'll get arrested if you try! If that isn't the stuff of fantasy - far more than exploring some goofy dwarven mine or alien spaceship - I don't know what is!
Some sort of pressure must exist. The artist exists because the world is not perfect. Art would be useless if the world were perfect, as man wouldn’t look for harmony but would simply live in it. Art is born out of an ill-designed world.
My mother, Carole Hedges, was my world until she walked out of our house when I was 7. Actually, she didn't walk out. Alcohol walked her out.
The work of art is brought into the world without there being a need for it. The house satisfies a requirement. The work of art is responsible to none; the house is responsible to everyone. The work of art wants to draw people out of their state of comfort.
That was always what I felt was the beauty of Rock 'n' Roll, it was entertainment and showbiz yet it had the idea of the voice of the people, it had an essence to it which was socially motivated. Not that I want to change to world, you know? But it was sort of relevant to real life, it involved the real essence of poetry or the real essence of fine art. But it was also entertainment. That was the real vitality.
I graduated high school, and I did my internship at Dove in their public relations department because I thought I wanted to be in PR, which turns out I did not. It was right when they were coming out with the Campaign for Real Beauty, so I got an inside view on the whole thing.
I've always loved the beauty world. Ever since I was a child, I looked at magazines and wore fragrances and tried out samples and sets. I worked at Clinique in the creative department for a summer during high school. And when I graduated from university, I worked at Prescriptives. My uncle [Leonard Lauder, chairman emeritus of the Estée Lauder Companies] smartly had wanted me to go into a small brand - to figure out what part of the company I loved. I discovered I was passionate about the creative process, the product development, creating a concept around a fragrance or lipstick.
I fell in love with books. Some people find beauty in music, some in painting, some in landscape, but I find it in words. By beauty, I mean the feeling you have suddenly glimpsed another world, or looked into a portal that reveals a kind of magic or romance out of which the world has been constructed, a feeling there is something more than the mundane, and a reason for our plodding.
I'm a blowfish. I'm not a shark, I'm a blowfish. So that perfect example about me hitting my head, it's like a blowfish. I wasn't coming out of my house going to a paparazzi's house to attack them. I'm defending my family in front of my own house. I'm defending my name as someone's screaming something negative at me. That's a blowfish. People have me pinned as a shark or a predator in some way, and in no way am I that. I wouldn't want to hurt anyone. I want to defend people. I want to help people.
The world we live in is a world of mingled good and evil. Whether it is chiefly good or chiefly bad depends on how we take it. To look at the world in such a way as to emphasize the evil is the art of pessimism. To look at it in such a way as to bring out the good, and throw the evil into the background, is the art of optimism. The facts are the same in either case. It is simply a question of perspective and emphasis.
We live in a world where art is always looked upon as the perfect medium. We live in a society where we can alter our body parts, we can act in the most perfect or right way. A lot of that is dangerous because, especially in the world of art, the chief enemy of creativity is being safe. If you're safe, you can't fall and hurt yourself. The older you are, the further down the crash is going to be. But if it works out, the higher the high.
It is not expensive to be beautiful. It takes only a little effort to be presentable and beautiful. But it takes some effort. And unfortunately people think of beauty as luxury, beauty as frivolity, ... or extravagance. Beauty is a discipline, beauty is art, is harmony, in the ideological sense and in the theological sense, beauty is God and love made real. And the ultimate reach in this world is beauty.
A temple, you know, was anciently "an open place without a roof," whose walls served merely to shut out the world and direct the mind toward heaven; but a modern meeting-house shuts out the heavens, while it crowds the world into still closer quarters.
Ninety-nine percent of girls want to be models because they believe it will mean that they are the most beautiful women in the world. They think that they will wear expensive clothes, makes loads of money, travel a lot and have a rock star for a boyfriend. This never interested me. I didn't want anyone to scream out my name. I wanted to make art, to create an image with a photographer. And yes, I wanted to get out of Clinton, Mississippi - a small town that was so closed-minded you can't even imagine.
I remember sitting on my couch on a Saturday watching reruns of 'The Real World.' And it said, 'Do you want to be on 'The Real World?' Go to MTV.com, and you can try out there.' And I said, 'I want to be on 'The Real World.'' And I sent in my tape.
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