A Quote by Bridget Riley
Painting is a science pursued as an enquiry into the laws of nature...Observation is considered the key to natural science.
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Painting is a science, and should be pursued as an inquiry into the laws of nature. Why, then, may not landscape painting be considered as a branch of natural philosophy, of which pictures are but the experiments?
Painting is a science, and should be pursued as an inquiry into the laws of nature.
Our goal in science is to discover universal laws of nature. If one's faith requires one to abandon or ignore natural laws, well, that person is going to have trouble reconciling religion and science. Otherwise, there is no any conflict.
Mathematics, the non-empirical science par excellence . . . the science of sciences, delivering the key to those laws of nature and the universe which are concealed by appearances.
The laws of thought are natural laws with which we have no power to interfere, and which are of course not to be in any way confused with the artificial laws of a country, which are invented by men and can be altered by them. Every science is occupied in detecting and describing the natural laws which are inflexibly observed by the objects treated in the Science.
The exercise of magical power is the exercise of natural powers, but superior to the ordinary functions of Nature. A miracle is not a violation of the laws of Nature, except for ignorant people. Magic is but a science, a profound knowledge of the Occult forces in Nature, and of the laws governing the visible or the invisible world. Spiritualism in the hands of an adept becomes Magic, for he is learned in the art of blending together the laws of the Universe, without breaking any of them and thereby violating Nature.
The seventeenth century witnessed the birth of modern science as we know it today. This science was something new, based on a direct confrontation of nature by experiment and observation. But there was another feature of the new science-a dependence on numbers, on real numbers of actual experience.
Historical science is not worse, more restricted, or less capable of achieving firm conclusions because experiment, prediction, and subsumption under invariant laws of nature do not represent its usual working methods. The sciences of history use a different mode of explanation, rooted in the comparative and observational richness in our data. We cannot see a past event directly, but science is usually based on inference, not unvarnished observation (you don't see electrons, gravity, or black holes either).
One can truly say that the irresistible progress of natural science since the time of Galileo has made its first halt before the study of the higher parts of the brain, the organ of the most complicated relations of the animal to the external world. And it seems, and not without reason, that now is the really critical moment for natural science; for the brain, in its highest complexity-the human brain-which created and creates natural science, itself becomes the object of this science.
To discover the laws of operative power in material productions, whether formed by man or brought into being by Nature herself, is the work of a science, and is indeed what we more especially term Science.
Science spotlights three dimensions of nature that point to God. The first is the fact that nature obeys laws. The second is the dimension of life, of intelligently organized and purpose-driven beings, which arose from matter. The third is the very existence of nature. But it is not science alone that has guided me. I have also been helped by a renewed study of the classical philosophical arguments.
The assumption that the laws of nature are eternal is a vestige of the Christian belief system that informed the early postulates of modern science in the seventeenth century. Perhaps the laws of nature have actually evolved along with nature itself, and perhaps they are still evolving. Or perhaps they are not laws at all, but more like habits.
The camera can push the new medium to its limits - and beyond. It is there - in the "beyond" - that the imaginative photographer will compete with the imaginative painter. Painting must return to the natural world from time to time for renewal of the artistic vision. The key sector of renewal of vision today is the new vistas revealed by science. Here photography, which is not only art but science also, stands on the firmest ground.
Many 'hard' scientists regard the term 'social science' as an oxymoron. Science means hypotheses you can test, and prove or disprove. Social science is little more than observation putting on airs.
Science has sometimes been said to be opposed to faith, and inconsistent with it. But all science, in fact, rests on a basis of faith, for it assumes the permanence and uniformity of natural laws - a thing which can never be demonstrated.
Science is the exploration of the experience of nature without psychedelics. And I propose, therefore, to expand that enterprise and say that we need a science beyond science. We need a science which plays with a full deck.
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