A Quote by Brie Larson
It's hard when I get to the end of the movie and am held hostage and am supposed to be very upset and the funniest things I've ever heard in my life are coming out. All I can do is pretend there's something really important behind me to hide my face from it.
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I am a pretty good actor. Most of my friendships are based on the fact that I pretend to be outgoing and funny in social situations, but when I get home, I tend to isolate myself because I am actually somewhat bipolar and introverted. So it is really hard for me to invest time into a relationship because I get kind of freaked out by the thought of doing something that part of my mind keeps telling me is "unproductive".
I am very emotional, and I get really upset when any of my films flop. I also get hurt over silly things. That is the way I am; I can't help it.
I think I am very hands-on mother. I am very strict, and my daughter keeps telling me, 'You are too hard on me,' and I keep telling her, 'I have to be hard because if I am not hard, you will not learn the lessons that I want you to learn.' I think it is really important to be that way.
I am a hopeless romantic. And I won't stop till I get it right. I don't think I'm unlike a lot of people. I am just someone who is trying to find that mate, and I think it's a really hard thing to do. And I'm not willing to stay somewhere where I am really not happy. And I am not willing to pretend I am for the kid's sake or so that I don't have to go through another public humiliation.
Since I think I am very boring in normal life, I tend to hide behind all these exciting characters, making people believe that I am someone else entirely. That feeling is very powerful.
You must be life for me to the very end," so he writes. "That is the only way in which to sustain my idea of you. Because you have gotten, as you see, tied up with something so vital to me, I do not think I shall ever shake you off. Nor do I wish to. I want you to live more vitally every day, as I am dead. That is why, when I speak of you to others, I am just a bit ashamed. It's hard to talk of one's self so intimately
If I ever feel like, 'Oh, my life!' or get upset by silly things like a photographer, or if someone has written something nasty that's upset me, I just think, 'Worse things happen at sea.'
I don't really have a realistic life. Anyway, I am a schizophrenic so there two persons in me. Because I am the person I put on for the public and the person that I am really . . . deep inside me. So I have to cover it all up with . . . glamour and all that bullshit . . . make-up . . . glamour, dresses, color, etc., etc. . . . trying to hide a very . . . fragile person, really . . . very vulnerable to attack.
I can't remember ever feeling so glad that a movie was finally over. [Director George] Lucas may have held my imagination hostage for two hours, but reclaiming it afterward wasn't hard at all.
I would love for my phone to scream if I am about to miss an important thing in my life and never bother me if I'm doing something very important and the information coming in is less important than what I'm doing.
You think you're prepared. You think you've done everything you're supposed to, study hard, work hard, keep yourself out of trouble, and then-whoosh! Something arrives out of the blue that you never saw coming. Something you never even imagined. Something that'll knock your little world off its axis. Something that'll either change your life for the better, or end it forever. Chaos.
In the jungle, every day is like the other. So you need to have a special discipline to make things different and to keep in your memory the dates and the days. And I think that's something that's very important when you are held hostage.
I'm taking opportunities as they come; I really am. Not to get too sort of mystical, but I believe in fate. I believe when roles are presented to me in my life they're for a very specific reason, something for me to learn. And it's coming at the right time.
Did you ever notice they never take any fat hostages? You never see a guy coming out of Lebanon going: "I was held hostage for seven months and I lost 175 pounds, I feel good and I look good and I learned self-discipline. That's the important thing."
He kissed me hard and I kissed him back harder, like it was the end of an era that had lasted all of my life.
Being near Tom and Doug at night kept me from having to say to myself I am not afraid whenever I heard a branch snap in the dark or the wind shook so fiercely it seemed something bad was about to happen. But I wasn't out here to keep myself from having to say I am not afraid. I'd come, I'd realized, to stare that fear down, to stare everything down, really - all that I'd done to myself and all that had been done to me. I couldn't do that while tagging along with someone else.
When you're studying drama, when you're a young actor, there are simple rules about acting. "Why am I here? What prevents me from leaving? What am I trying to get? How do I hide something?" So when you're making a film like Abel's movie, you want to be thinking about those things all the time. And you wanna be armed with those things, and you hope the other actors you're working with have the same understanding of drama and scene and acting. Sometimes it works and sometimes it doesn't.
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