A Quote by Brie Larson

I've always felt like I've had the ability to choose which roles I was going to play. I don't think that the industry agreed with me, but I've always had a bit of a headstrong attitude of only doing the things that I really believe in and want to explore.
I've always had people around me who will love me for me, regardless of whether the football went well or if I'd have had to go down a different route. I've always felt that no matter where I've been or what I've been doing, I've always had that to fall back on, which is comforting.
I see myself as no color. I can play the role of a man. I can paint my face white if I want to and play the role of white. I can play a green, I can be a purple. I think I have that kind of frame and that kind of attitude where I can play an animal. If you think in color, then everyone around you is going to think in color and that puts limits on the way you think. I don't think like that. A lot of the roles that I'm doing are roles that a man or a person of any color can do.
I think happiness is a choice. I believe luck is your attitude. It sounds like a really annoying bumper sticker. But there is such a great truth in that. You choose how you want to feel about what happens to you. I could have been a miserable failure. I haven't had anybody looking over me, and I've found my own way through optimistic exploration and fire-burning mistakes. I am a very happy person with an extraordinary life, so I must be doing a lot of things right. I really believe when you peel away the layers, the worlds is a beautiful place filled with beautiful people.
I have very supportive parents who said, 'Go and do what you want to do. Home is always here for you, and if you don't like it out there, come back. You can always do something different.' So when you have an option like that, you are able to choose roles or choose the things you want to be in.
There is still so much that I want to see and do, but for me, it's the pure satisfaction of doing what you really want. I always had a problem doing things that I didn't want to do. I don't have a problem when my director says: "Don't do it like this; I want it like this." But generally in life, I like to do what I want, and for me the best way is through acting and making films.
Mahatma Gandhi I would say had perhaps a greater spiritual quality whereas Winston Churchill had besides the courage, ability and above everything else, the ability to put into words what his people felt so that he could always lead them. And my own husband I think had great patience, which you need in a democracy because you have to come to do fundamental things, you have to have the patience to have people educated; and then I think he had a deep interest in human beings as human beings.
I like to do new things, so I always take on roles that I feel will keep me on my toes. I never want to pigeon myself, so I always like to surprise myself. I believe in versatility and so I would play anything as long as it was a challenge.
I'm a huge fan of a lot of different genres of music, and I really felt like somehow I had been pigeonholed a little bit - maybe of my own doing - and in a way where I felt like I was sort of falsely defined. What my music was being called wasn't really the music I was always listening to.
It's not like I had a breakdown, though it kind of felt like it at the time. I agreed to everything that happened. You can't really be at work and be like, "That's it. I've had too much. I'm going home."
I think I've always had to pick and choose whatever I want to work on. If I'm not happy with what I'm doing, it's probably not going to end up that interesting.
I think actually one of the things you learn when you get older is, things change. You get a longer perspective. I was quite depressed when I was young. I had a dark cloud hanging over me. But I always felt "this is not the end." It's always changing; it's going up, it's going down. Great things will happen.
Part of me always felt like the other, the outsider, the observer. My father had two sons with his second wife, who I didn't meet until my late 20s. I was always on the periphery. In Madrid, I was the only Turk in a very international school, so I had to start thinking about identity. All these things affected me.
I was always confident in my ability, I was always confident in the talent that I had, and I felt WWE was a very good fit for me. After it didn't happen for a couple of years and I had a knee surgery and everything, there were times I had doubts.
I've always felt like an artistic person. I can't draw or paint or sculpt. I never really had technical skills, but I've always felt like I appreciate really beautiful things, and part of taking a good photograph is being able to recognize beauty.
I think that to believe is to acknowledge that it's a choice in that present tense and that doubt is always an option. You’re not dealing with a fact like one plus one equals two—I’m gonna choose to believe that. It’s kind of one of those things where you are choosing to believe that someone loves you. That is always going to be your choice. So for me, I think that’s what makes the faith that I have volatile and explosive and dangerous and troubling. That’s what most of my songs are about.
One of the first roles I had on stage was with a brilliant director in a brilliant play with a brilliant cast, but I just couldn't find my way into the heart of the character. I found myself straining a lot. When it started. I felt lost. That was the Eugène Ionesco play Rhinoceros. I don't think I was prepared for that. I don't think I had the full tool kit to do it justice. It's a very difficult play, it's an extraordinarily difficult part, and I never felt I really got it right. Far from it. To a degree, Hamlet was the same.
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