A Quote by Brie Larson
A big producer offered me the part of the pretty girl that waits at home for the guy, and I couldn't do it. That's not a story I ever want to tell.
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If there is a public perception at all, they see the producer as a big old guy who smokes a cigar and has lots of money and lots of power. That's not what a producer is and, if it ever was what a producer was, it certainly hasn't been for a long time.
The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."
You always have to remember in this business that the public doesn't care about us. It's very important to keep that in mind. If there is a public perception at all, they see the producer as a big old guy who smokes a cigar and has lots of money and lots of power. That's not what a producer is and, if it ever was what a producer was, it certainly hasn't been for a long time.
One of my first films was Zebrahead. I remember the producer asking me, "Can you handle the big lights?" And I thought, Do I want to be sarcastic, or do I want the job? So I said, "I don't handle the big lights, I just tell big men where to put the big lights and they do it."
I get offered: 'Here's a girl who's mad at another girl for having a wedding on the same day.' That'll be a big hit, but I don't want to do that.
I don't ever approach anything from the issue first, so I can't tell you that I've thought about tackling universal health care. I'd have to have some great story I'd want to tell, and then universal health care would become part of the way to tell that story.
What drew me to Batman in the first place was Bruce Wayne's story, and that he's a real character whose story begins in childhood. He's not a fully formed character like James Bond, so what we're doing is following the journey of this guy from a child who goes through this horrible experience of becoming this extraordinary character. That, for me, became a three-part story. And obviously the third part becomes the ending of the guy's story.
What makes a girl a girl? What makes a guy a guy? Do you have to be what they want you to be? Or do you stop and listen to that voice inside you? I know who I am. I'm Petra West. And I'm a girl. You want me to sleep somewhere else, fine. Whatever. But I'm not going to pretend to be somebody I'm not. I've done enough of that.
So a part of you is broken when that’s gone. And part of you wants to have that rebellious feeling where you’re just like, forget it — I can do anything I want. I’ve tried it, and I’ve never been that girl. I’m always going to be the girl you want to take home to your parents, not for the night.
I'm just trying to tell a nice story. Whether you're a writer or a producer, all you want to do is tell a good yarn.
I don't want to be 'the girl with cancer' ... I just didn't want that to be my only thing. But it is part of me. And it's a big part of me.
An actor like me hardly ever sees a producer. My agent will say, how about Coogan for the part. The producer will say yes. So you never see the producer.
I was working at a restaurant in L.A. when a producer came in. He said I should audition for this movie Cellular. I did, and I got the part. It actually makes me sick to tell that story because its obnoxious.
I'm not the underdog, but - Well actually, I guess I've been the underdog. To me, it always felt like I was talking to "the big guy," you know, the big guy in the government, and trying to tell him about some things he didn't seem to be aware of. I just think that's a pretty arrogant group of liars we've got up there, and they don't really consider the abilities of their opponents.
I don't ever want to impose something on the story. I want the story to tell me.
I feel like, if I'm being honest with myself, my biggest skill set is as a writer 'cause I can do that quickly and I'm really grounded in story structure. Part of my success as an actor, is that I know story well. Part of my success as a director, is how well I know story. Same thing, as a producer. It all begins and ends with me as a story creator. But, I love doing it all.
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