A Quote by Brigid Berlin

I love the New York that was. The end for me was Studio 54. I don't go out at night anymore. — © Brigid Berlin
I love the New York that was. The end for me was Studio 54. I don't go out at night anymore.
Believe me, it jabs you. When you're on the side of buses and New York loves you, you love to go out there every night. It's like a race. Curtain opens, out you go, and New York is yours.
New York had a big influence on me growing up, and I was really part of the club scene - the Mudd Club and Studio 54. When you're living in New York, you are just bombarded with style, trying to figure out how to be cool and how to feel relaxed at the same time.
I would go to the all-night grocery store and pretend that I was at Studio 54 because it was the only place open all night. Truman Capote in the frozen foods. Andy Warhol over in vegetables.
I'm in the film industry, and I very seldom go to the theater now. It could be work, not being in New York, that sort thing - because in New York, you do go to theaters; you can walk to a theater and then walk to a restaurant. But in places you have to drive out to the cineplex to see a movie, it's starting not to be worth it anymore. It's like the days when you went to get a book at the public library. You don't have to do that anymore. You just go on your iPad and all of a sudden you're reading The Duchess of Malfi.
Kids from New York usually don't stay in New York anymore: they go to prep schools and all sorts of stuff nowadays. I'm just happy to be one of the guys in our league from New York, to represent.
One of my best friends, Stephen Sprouse, Bill Dugan, and I worked designing clothes, doing every conceivable thing. New York was a really intoxicating period for me, literally and figuratively. There was a lot of overlap with Andy Warhol, Studio 54, and Halston.
Andy Warhol was a good friend of mine. We used to go to the Studio 54 nightclub together with the likes of Liza Minnelli, and we'd dance through the night.
I don't use any real vintage hardware any longer. That's always been the object as far as gaining control of the studio environment, going back to when I built my first studio, Secret Sound, in New York City. The whole point was to not have to pay studio bills anymore and not be looking at the clock.
I was never much of a club guy. Even when I was in New York in the early eighties, I never was once in Studio 54. It was too noisy. My version of those years mostly took place at my house.
I'm in New York a lot. And every time I'm in New York, I'm out every night - it's a bit much. After a week, I'm ready to go home.
My brother, who's a few years older then me, went to college in New York. He said all of these people from Saturday Night Live do improv together in Upright Citizens Brigade, and I thought, "Oh, that sounds really cool." So when I got braces and couldn't play music anymore, I said to my parents that I wanted to go to New York and take a class at that place. They were remarkably on board with it. I got on the train, went up, took a class and I loved it.
There are roughly three New Yorks. There is, first, the New York of the man or woman who was born here, who takes the city for granted and accepts its size and its turbulence as natural and inevitable. Second, there is the New York of the commuter — the city that is devoured by locusts each day and spat out each night. Third, there is the New York of the person who was born somewhere else and came to New York in quest of something.
I hate studios. A studio is a black hole. I never use a studio to work. It's very artificial to go to a studio to get new ideas. You have to get new ideas from life, not from the studio. Then you go to the studio to realize the idea.
I felt I had to share Idaho with my friend from New York because he'd shared New York with me, so I was going to share the beauty of nature with a man who went to museums and clubs late at night. But there was nothing to do where I lived at night.
I probably have to move out of New York. I just can’t live in New York anymore.
New York is the thing that seduced me. New York is the thing that formed me. New York is the thing that deformed me. New York is the thing that perverted me. New York is the thing that converted me. And New York is the thing that I love too.
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