A Quote by Brigitte Bardot
If people don't like me, I become very plain.
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When people see me on TV, they become very happy because they don't have to interact with me. When they start interacting with me, they ask me questions like I'm a baby or treat me like I'm a baby and hold me like I'm a baby, and that's what they do wrong, really.
In many ways, I've chosen to be plain, almost too plain, too self-effacing. Like, if I record a vocal and I don't like the way it sounds, I would have them turn it up and take the reverb off it to make it as plain as possible.
In every crisis, people do not respond like a school of fish. Some people become immobilized. Some people become very angry, some commit suicide, and other people begin to find solutions. And visionary organizers look at those people, recognize them and encourage them, and they become leaders of the future.
All the things I thought I was - simple and plain and sometime funny - are very small words. They do not begin to describe me. They do not begin to express what is inside of me. I have value, and I have worth. I cannot be replaced like old shoes or taken for granted like tap water.
I can be very stubborn. I'm very opinionated and if people cross me at work - if people who don't know about the job try telling me what to do - I become very stubborn and really rather unpleasant.
What frustrates me more than anything is that I push on so far and people become complacent, lose that bit of edge, and it's very difficult to keep driving people on. That's probably the greatest fault of mine: I expect everybody to be like me.
Now you've got people who don't really have the skills, because technology hides it, going out and putting these crappy singles out, and because that's all there really is, people basically eat it like hamburgers. It's become very, very commercialized. Which wouldn't bother me as much if people actually had talent. When I listen to something and the first thing I notice is that it's been turned into crap, I shut it off and throw it out the window of my car. Like it's the most offensive thing to me.
If I go anywhere where there are people who vaguely look like me, there is always that feeling of, 'Actually I do look quite similar to everyone else.' At moments like that, I become very, very British. My accent gets more clipped, and I stride around as if I've got an empire.
I don't like real places, but I don't like imagined ones either. I feel like I'm looking for some mixture and it's very hard for me to say because I like to use real place names because there's an uncanny feeling to them, but at the same time I don't ever really try to make them plausible. Sometimes I like to use them as a way to hide in plain sight a little bit, because to me a very exotic or imagined setting has a lot of weight and a lot of burden to it, and it doesn't suit me, but a real place seems to have its own weird legacy, so I don't know what the choice is?
amazingly, i'd actually forgotten that i'm supposed to be plain. i'm so used to alex telling me i'm beautiful. i'm so used to feeling beautiful around him. a hollow opens up in my chest. this is what life will be like without him: everything will become ordinary again. i'll become ordinary again.
We need to do what I call visionary organizing. Recognize that in every crisis, people do not respond like a school of fish. Some people become immobilized. Some people become very angry, some commit suicide, and other people begin to find solutions. And visionary organizers look at those people, recognize them and encourage them, and they become leaders of the future.
Works of imagination should be written in very plain language; the more purely imaginative they are the more necessary it is to be plain.
People don't tend to hassle me because when I've got a hat on, I look like a banker. I'm just a plain guy.
Self-censorship has become a part of me. I think because we live in a place where community is very important, family is very important, you feel the weight of how people look at you. Even though I might seem very modern and very liberated, I still have a lot of issues to deal with. I'm scared of how people look at me.
You watch enough TV, and very soon the inside of your head has become a vast, arid plain, across which you cannot detect the passage of a thought.
Words in prose ought to express the intended meaning; if they attract attention to themselves, it is a fault; in the very best styles you read page after page without noticing the medium. Works of imagination should be written in very plain language; the more purely imaginative they are, the more necessary it is to be plain.
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