A Quote by Brigitte Bardot

A film about my life? But I am not dead. — © Brigitte Bardot
A film about my life? But I am not dead.
I've come to a point where I am less nervous when I am supposed to start a film. I am still super nervous on the day but I've lost a lot of my fear about what kind of perception people have about my film.
Don't you talk to me about members of the Royal Family, you know I am not going to talk about them. Diana's dead. Talking about dead people is history.
As far as history goes I am dead. If there is something beyond I shall have to bounce back. I have found God, but he is insufficient. I am only spiritually dead. Physically I am alive. Morally I am free. The world which I have departed is a menagerie.
To show you how radical I am, I want carjackers dead. I want rapists dead. I want burglars dead. I want child molesters dead. I want the bad guys dead. No court case. No parole. No early release. I want 'em dead. Get a gun and when they attack you, shoot 'em.
The border between the dead and the living, if you're Mexican, doesn't exist. The dead are part of your life. Like my dad, who's not here, but he's here.That's why there's the Day of the Dead. There's such a connection with the dead.
I've lived my life like a serial killer; finish with one part, strangle it and move on to the next. Life in neat little boxes is life in neat little coffins, the dead bodies of the past laid out side by side. I am discovering, now, in the late afternoon of the day, that the dead still speak.
When I do a film score, I am basically nothing more than a fancy pencil for hire. I don't own any of the music when I am - it belongs to the film company - and likewise, when I am done, even if I come up with something astounding that I may want to revisit... in the world of film composition, you can't do that.
When I finish a film, I want to forget it. I never like to repeat myself. Maybe, when I am dead, they will find certain consistencies in the style of my films, but I never want one film to look like another.
I have Kalpana Lajmi's 'Kyon.' It focuses on teenage crime. My mother will play my reel-life mother in the film. I am excited about it for the simple reason that I will do a film with my mother.
I heard that I am crazy for taking this fight but I'm very excited about this chance. His manager is saying that I'm a 'dead man walking' but 'dead men' cannot have 'nightmares'.
Frankly, I am boring. My life is all about the film set, gym classes, and home.
I believe that when I am dead, I am dead. I believe that with my death I am just as much obliterated as the last mosquito you and I squashed.
And looking into the face of ... one dead man we see two dead, the man and the life of the woman who gave him birth; the life she wrought into his life! And looking into his dead face someone asks a woman, what does a woman know about war? What, what, friends in the face of a crime like that, what does man know about war?
I have spent my life falling. Not the kind that Tiny's talking about. He's talking about love. I'm talking about life. In my kind of falling, there's no landing. There's only hitting the ground. Hard. Dead, or wanting to be dead. So the whole time you're falling, it's the worst feeling in the world. Because you feel you have no control over it. Because you know how it ends.
I was at a time of my life of making choices, I suppose: am I a writer, am I a visual artist? And when I was a teenager. I thought I would be a film-maker. Am I a musician? If so, what kind of musician am I?
The 'Dead' films allow me to talk about things that a drama, say, won't. 'Dawn Of The Dead,' which was set in a shopping mall, is on one level about consumerism; 'Land Of The Dead' is a response to Bush.
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