A Quote by Brion James

I'm a character actor, so I don't take the hit if the movie's bad, the lead does. So, I don't want to be the lead. He takes the hit, I don't. — © Brion James
I'm a character actor, so I don't take the hit if the movie's bad, the lead does. So, I don't want to be the lead. He takes the hit, I don't.
There were so many lead roles available when I was in my thirties. Once I hit 45, there was a real downturn. But I got an incredibly provocative, delicious lead role in a television series called 'Saving Grace,' and I loved the character.
It is scary for an actor when you get hired as a lead. No matter what the plot is, it is your job to do something interesting enough to make them want to get inside the lead character's head.
I think most actors don't start out wanting to be either a lead or a character actor. You just really want to work, whatever manifestation that takes.
So when you see a regulation against lead, because lead is a bad in a regulators mind, what does that mean? You are not telling us what is good, you are just tell us what you don't want, not what you do want.
That's what stock-car racing is. You hit someone, or you get hit. That's something I had to learn. It's a key factor in why I'm so aggressive. I don't want to have to hit you. But if you're going to hit me, I'm going to hit you.
My car is so bad, I hit poles I'm not kidding I hit things all the times, I hit bushes it's really bad.
We always lead with hits. If you want to have success, you have to be riding a hit.
I'm an actor. I'll take a lead if it's offered. The really good actors can fill a character, no matter what the role is. A good leading man is a character actor; a good character actor can be a leading man.
Once I hit 45, there was a real downturn. But I got an incredibly provocative, delicious lead role in a television series called 'Saving Grace,' and I loved the character.
In low comedy, a character gets hit in the head, and you don't really believe it. In farce, he's hit in the head, but he must be hit in the head. The character requires it.
As a producer, what you want to do is make the next hit. But you also want to lead the audience into wanting to watch different movies. You have to vary your content.
I used to get made fun of in the minor leagues. I'd be 0 for 2, and then in my last at-bat I'd hit a chopper that wouldn't even reach the shortstop, and I'd get a hit out of it. The guys would be all over me, but a hit's a hit. I'll take 3,000 of 'em.
So when Community came up and then the movie roles started happening I was very grateful. I am trying to be careful with the movie roles I select because if you pull the trigger too quickly, like choosing a lead role in a crappy movie then you will be put in movie jail and you will never be heard from again. If it's not a big hit you'll be forgotten pretty fast.
In the on-demand environment, you need love, not like. There's no lead in. You're not going to surf channels and hit it. People have to really want that show.
I do not like getting hit. I can take a hit, but I don't want to damage my brain if I don't have to.
If you hit a routine fly ball in the big leagues, you're out every time. If you hit a ground ball, you're probably out a lot of the time as well. But there's a happy medium in there, a way to swing where your misses can still lead to successes.
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